Some of these are from J. Glenn Evans, some from Poets & Writers, some from miscellaneous sources and some, of course, from Soundings Review
Soundings Review: Currently reading for the fall issue, including for the contests, Founders’ Circle Award and First Publication. The new issue is out, and we’re pleased to announce awards: Simon Peter Eggertsen’s poem “Elinor’s Quilts” won the Founders’ Circle Award. Norton Girault’s story “Souvenirs” won the Reader’s Choice award. For guidelines for submissions and contests: www.writeonwhidbey.org/Publications
Also, Critique Mania is underway for the month of August. Thirty-two authors and editors are available to critique your work for low prices. This is a fundraiser to support Soundings Review. For details, check out www.writeonwhidbey.org/Publications
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BEST INNOVATIVE College Writing: 2010. The Platypus Prize recognizes U.S. college students, in any discipline, whose writing demonstrates excellence in creative intent, conception, and execution. We seek aspiring writers exploring creative possibilities far beyond the traditional literary process and product. Excerpts and multimedia accepted. $10 entry fee. $100 prize for editor’s choice. Guidelines: http://jadedibisproductions.com/platypus_prize.html.
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NATIVE WEST PRESS seeks short, creative nonfiction (under 1,000 words) and poetry for a collection of direct, unexpected experiences with wild creatures (yes, including insects and arachnids) who had the effect of restoring or enhancing the writer’s sense of psychological well-being. Beginning June 1 through the August 31 deadline, the editors are particularly interested in reading unique accounts of authentic, personal encounters with wild animals who had a positive effect on the writer, such as restoring the author’s faith and joy, evoking respect for the unexplainable, helping the author heal from illness or trauma, reducing stress, and/or moving the author to a state of enhanced sense of connection to the living, natural world. Please note that we are not seeking general abstractions or anything to do with domestic animals or pets, such as dogs. We are looking for unanticipated, special, profound occurrences, in which the creature was not intimately known to the author prior to the experience. While simultaneous submissions are not preferred, they may be submitted for consideration, provided we are notified if the submitted material is accepted for publication elsewhere—either online or in print. Please note that authors whose works are accepted for publication will be contracted for First North American Serial Rights with the understanding that the work accepted should not appear in electronic form prior to publication in the anthology. Response time is two to four months (or sooner). Payment is one contributor copy. No attachments. For full submission guidelines, please see www.nativewestpress.com.
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INKWELL: The Spring 2011 issue is open to all themes/subjects. Special Fall 2011 theme issue: “Ripped From the Headlines.” The reading period for both issues is August 1 through November 15. Contributors are asked to send fiction, essays, poems, and artwork. Up to 5 unpublished poems and/or up to 3 unpublished fiction manuscripts (5,000 word limit). For complete guidelines, please visit www.inkwelljournal.org.
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MARCO POLO, a literary quarterly, is calling out to you. Discover what we’re about and send us your best writing. We seek international short stories, flash fiction, prose poems, poetry, and lyric essays. Francophiles and film devotees, please check out our Francois Truffaut feature. Details available at our Web site: www.marcopoloquarterly.com.
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MUSE & STONE. Accepting submissions for Fall 2010 issue. Simultaneous submissions accepted. Include cover letter and SASE for response only. Send up to 5 poems, or 6,000 words of fiction or creative nonfiction to: Muse & Stone, Waynesburg University, 51 W. College St., Waynesburg, PA 15370.
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7TH YEAR! The RRofihe Trophy for an unpublished short story! (Up to 5,000 words). Winner receives: $500, trophy, and publication in Open City magazine. Judge: Rick Rofihe. Fee: $10. Deadline: October 15. Mail entries to RRofihe, 270 Lafayette St., Ste. 1412, New York, NY 10012. For detailed guidelines, see www.opencity.org/rrofihe.html.
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ANNUAL Copperdome Chapbook Competition. Deadline: October 1. $300 and 25 copies. Send 24 to 32 pages. $15 fee includes copy of winning chapbook. Copperdome Competition, Southeast Missouri State University Press, MS 2650 1 University Plaza, Cape Girardeau, MO 63701. Guidelines: http://www6.semo.edu/universitypress/Copperdome.htm.www6.semo.edu/universitypress/Copperdome.htm.
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FOURTH GENRE: Explorations in Nonfiction is seeking submissions for the Fall 2010 and Spring 2011 issues. Reading period: August 15–November 30. All manuscripts must be received by November 30. For complete guidelines, visit www.msupress.msu.edu/journals/fg. Submit manuscripts to Marcia Aldrich, Editor, Fourth Genre, Dept. of English, Michigan State University, 201 Morrill Hall, East Lansing, MI 48824-1036. Submissions not accepted at MSU Press. Subscriptions: $35/ yr (2 issues). Sample copy: $18. To subscribe, contact MSU Press, Journals Division. E-mail: journals@msu.edu; phone (517) 355-9543 x101; fax (517) 432-7484.
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GARRISON KEILLOR will judge this year’s May Swenson Poetry Award. Winning manuscript receives $1,000 plus publication by Utah State University Press. Full-length poetry collection in English; no restrictions on form or subject. Postmark deadline: September 30. Guidelines available at: www.usupress.org.
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From Allen Braden:
Deadline October 1, 2010 for submissions 2010 Wabash Prize For Poetry http://www.sycamorereview.com/contest/
First Prize: $1000 and publication in Winter/Spring 2011 issue. Guidelines: up to three unpublished poems with $15 reading fee (check or money order) payable to Sycamore Review. Additional poems (beyond the initial three) ok but increase reading fee $5 for each additional poem. All entries typed and must include a cover letter with the author’s name, contact information and titles of poems submitted. No ID on manuscript. SASE for notification of receipt of ms only. Questions? Contact sycamore@purdue.edu. Send 2010 Wabash Prize for Poetry submissions and reading fee to:
2010 Wabash Prize for Poetry?Sycamore Review?Department of English?500 Oval Drive?Purdue University?West Lafayette, IN 47907
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From Allen Braden:
A fairly new magazine, low budget but high on quality and enthusiasm. Check it out. http://www.sprreview.com/
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Also from Allen Braden:
The reading period is now officially open for the 2010 Joy Harjo Poetry Prize and the Rick DeMarinis Short Fiction Prize. 1st Prize winners receive $1250 plus publication in our print edition. 2nd Prize winners receive $250 plus publication in our print edition. Honorable Mentions are published. All finalists are eligible for publication. Go to http://www.cutthroatmag.com/ for complete guidelines. Enter as often as you wish. We are also reading regular submissions for our print edition.
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Also from Allen Braden:
Submissions open for month of August http://www.redheadedmag.com/poetry/ TheRedheaded Stepchild only accepts poems that have been rejected by other magazines. We publish biannually, and accept submissions in August and February only. No previously published work. Submit 3-5 poems rejected elsewhere with names of magazines that rejected the poems. No email attachments. Include in body of email: brief bio, publication(s) that rejected the poems and send to redheadedstepchildmag@gmail.com.
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Writing It Real Summer/Fall 2010 Poetry & Essay Contest
Reading Period: August 1 – October 31, 2010
It’s a special kind of contest aimed at helping you develop your work. Everyone’s a winner because when you send in a draft, a free-write, or a piece you think may be done but you wonder about; within two weeks you’ll receive detailed response to your work from master teacher Sheila Bender, author of over ten books on writing, most recently Writing and Publishing Personal Essays from Silver Threads publishing and Creative Writing Demystified forthcoming from McGraw-Hill. After you receive Sheila’s response, you have until October 31, 2010 to enter a revision for final judging by a guest editor.
The earlier you get your pieces in, the more time you have for rewriting. Initial entries may be up to six pages of double-spaced prose or three poems. The rewrites you do may become longer and will be entered into the final judging by our guest editor.
Prizes!
By November 30th, three winners will receive a tuition waiver ($120) for a Writing It Real online class and a half-hour consult by phone with Sheila But everyone’s a winner because everyone receives professional help on their writing!
Contest Submission Guidelines
Contest Deadline: Work must be sent electronically or postmarked by October 31, 2010. There is no additional fee for the revised draft to be entered for judging. First drafts can be up to six pages double-spaced of prose or three poems. Expect Sheila’s response to the work by email within two weeks. Our electronic submission form and mailing directions are below. Second drafts may be longer than the initial entry and should be mailed or emailed (iinfo@writingitreal.com) by November 15th. http://www.writingitreal.com/page.php?p=essay_contest
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AARP Magazine
PAY: $1.00/word
AARP Publications is the leading authority on the 50+ market, with a family of magazines serving the interests and needs of America’s fastest-growing market segment. Those publications include: AARP The Magazine, the world’s largest circulation magazine, with three unique editorial editions; AARP Bulletin, the newspaper of 50+ America; and AARP Segunda Juventud, a quarterly newspaper for Hispanics 50 and over. With over 76 million U.S. residents age 50+ today and someone turning 50 every 7 seconds, the 50+ market is clearly a powerful force. AARP Publications offers unparalleled access to this vital, growing market segment.
http://www.aarpmagazine.org/Articles/a2003-02-21-mag-writers_guidelines.html
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A Cup of Comfort Anthologies
A Cup of Comfort stories weave powerful life lessons into vividly told tales. They are nonfiction stories that read like fiction, but always ring true. They are slice-of-life tales that make us think and care, that give insight and inspire positive action, and that entertain and enlighten. Stories must be uplifting, written in English, based on real people and events, and 1000 to 2000 words in length. $500 grand prize; $100 each for all other published stories. http://www.cupofcomfort.com/share.htm
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Adventures of Sword & Sorcery Magazine
PAY: $0.03-0.06/word We are looking for Sword & Sorcery, Heroic and High Fantasy fiction from 1,000 to 20,000 words. We want fiction with an emphasis on action and adventure, but still cognizant of the struggles within as they play against the struggles without. As examples, think of the fiction of J.R.R. Tolkien, Fritz Leiber, and Katherine Kurtz, but with 90′s sensibilities for a 90′s audience. Include sexual content only as required by the story, but not excessive/porn. Please include a cover letter with publishing credits and submit the story in the standard format for fiction submissions. Enclose with the submission a self-addressed, stamped envelope with sufficient postage for return of the submission. Use International Reply Coupons as return postage if submitting from outside the U.S. Send all submissions to Randy Dannenfelser, Editor, PO Box 285, Xenia, OH 45385, or send e-mail submissions (ASCII files) to mailto:double_star@yahoo.com. And the best way to determine what type of stories we want to buy, is to see what we have already bought.
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Analog
PAY: $.05 – $.08/word
Will consider material submitted by any writer, and consider it solely on the basis of merit. We are definitely eager to find and develop new, capable writers. We have no hard-and-fast editorial guidelines, because science fiction is such a broad field that I don’t want to inhibit a new writer’s thinking by imposing Thou Shalt Nots. Besides, a really good story can make an editor swallow his preconceived taboos. Basically, we publish science fiction stories. That is, stories in which some aspect of future science or technology is so integral to the plot that, if that aspect were removed, the story would collapse. Try to picture Mary Shelley’s Frankenstein without the science and you’ll see what I mean. No story!
http://www.analogsf.com/information/submissions.shtml