The late poet Richard Hugo was for many years head of the Creative Writing Program at the University of Missoula in Montana. In 1977, during a time of insecurity and writer’s block, he published a small volume of poems entitled 31 Letters and 13 Dreams, in which he addressed his poems to contemporary poets and to people of importance to him. … Continue reading
When someone asks (or you ask yourself) why you write, I bet that many of the motivations you think to cite are on this list: • to understand your experience, • because you have a story in your heart, • because you can’t keep yourself from writing, • because you hope at least one other person on the … Continue reading
Whatever our role in life, however well we perform in it, there is always the not knowing if we are doing it right, if what we are trying to accomplish will be accomplished. Sometimes that situation offers us a prompt we can use for writing. As a writing teacher, I spend many of the minutes … Continue reading
Author Joyce Carol Oates says, “The pleasure is the rewriting.” Author John Irving says, “More than a half, maybe as much as two-thirds of my life as a writer is rewriting. I wouldn’t say I have a talent that’s special. It strikes me that I have an unusual kind of stamina.” I enjoy revising and … Continue reading
Exploring your life on the page is daunting whether you are writing short memoir (the personal essay) or a book-length manuscript. Where does one start? How does one choose the highlights for the story’s exploration? How does one find surprises? Here are 20 ideas to find a point of entry and to organize your memoir … Continue reading
“If I’d only known what was in this book forty years ago, how much more money would I have made and how fewer problems would I have encountered?” Karen wonders. Isn’t that true for all of us in our lives—if we knew what we know now we could have done better at what mattered to … Continue reading
Deborah Berger asked women to write letters about what they never told their mothers. Ultimately, she edited a selection of the contributions, along with profiles of their authors, into Dear Mom, Women’s Letters of Love, Loss and Longing. In her introduction to the work, she writes, “We are always linked to our mothers: both to … Continue reading
Tarn Wilson delivered this paper for a panel on “Hydra-Headed Memoirs & Well-Connected Essays” at the 2015 Nonfiction Now conference. I am delighted to have her permission to post her words for Writing It Real readers. Tarn’s lovely memoir is The Slow Farm. She uses her experience writing it to inform other writers about her … Continue reading
As the Presidential candidates for nomination continue to gather followers with predictable phrases, and pundits attempt to predict who the will be the frontrunners, I am reminded of the importance of writing toward felt insight. We need to leave abstracting and sentimentality behind if we are to find insight and make deep connections with ourselves and others through our writing. … Continue reading
This week, Judy Reeves, author of the new book, Wild Women, Wild Voices, shares her thoughts on writing practice. Here article serves as a good review for all of us who are busy concentrating on revising and publishing and may have begun to overlook the idea of what a writing practice is and offers. She … Continue reading
When it comes to writing, we so often undermine our efforts by thinking that we are not disciplined enough, educated enough, smart enough, skilled enough, or wise enough to call ourselves writers. We must find ways to change that thinking if we are to allow writing an important place in our lives. It matters that we … Continue reading
One of my favorite writing mantras is from author Ron Carlson: “Don’t think, write.” Another is my own sentence, “Intention kills the meaning-making.” What I’ve found is that coming to the page with a sense of anticipation about not knowing what will arrive fosters the rising of deep meanings from the midst of the images … Continue reading
Dialog moves a narrative along in fiction, personal essay, memoir and poetry, too. Playing with ways to experiment with dialog will help you build your dexterity with this aspect of the writing craft. And playing with the prompts might have you creating some new writing you’ll want to expand. Write a conversation between three people–one who … Continue reading
When we write fiction, we need to get inside our characters’ beings. When we write memoir, we need to learn more about our own character as well as the character of people who have influenced our experience. But sometimes we need a pathway to find fresh material. Here are 20 exercises for getting to know our characters and … Continue reading
Keeping a notebook of short descriptions, thoughts, overheard conversations, quotes and even complaints and worries will keep us in the writing mode, even when our days are filled with other activities and concerns. I have been reading a wise and inspiring book called The Journal Keeper, A Memoir, by Phyllis Theroux. The author put together journal entries … Continue reading
Last week, I wrote about doing a scene-writing exercise short story writer and teacher, Ron Carlson, invented. This week, I am posting 20 ideas I’ve put together for practice writing scenes that will help you develop dexterity in presenting your story, fiction or nonfiction, with the kinds of phrasing and details that absorb readers. Try … Continue reading
As writers, we are aware of the dictum “Show, don’t tell,” but sometimes what we think of as showing turns out to be only another way of telling and avoiding showing. On this subject, I often quote fiction writer Ron Carlson’s words in his book, Ron Carlson Writes a Story: Outer story, the physical world, is … Continue reading
In her book, Marry Your Muse, Jan Philips writes about a day at a mountain cabin when she and her partner were spending time writing. Jan’s cousins, ages 10 and 12, showed up at the door. When Jan told the girls that she and Annie were very busy writing, the girls said they understood, that … Continue reading
What follows is Chapter Five from the forthcoming updated edition of Writing In A New Convertible with the Top Down: A Unique Guide for Writers. In 1992, Christi Killien Glover and I began an exchange of letters to explore and articulate our writing processes. We wanted to help new writers invest in the magic of … Continue reading
Before appointments, when a meeting hasn’t started, when a bus hasn’t come, when a friend is late, when you have finished something and still have time before the next thing in your day, when you arrive early to work — do you write or reflexively check your email or text a friend or leaf through … Continue reading