About Judith Kitchen

Judith Kitchen authored Half in Shade, The House on Eccles Road, winner of the S. Mariella Gable Prize, the essay collections Distance and Direction and Only the Dance, and a critical study of William Stafford, Writing the World. She co-edited In Short and In Brief, and edited Short Takes: Brief Encounters with Contemporary Nonfiction. She is Advisory and Contributing Editor for The Georgia Review.

Judith Kitchen on Reading as a Writer Reads Part 2

Applying her method of reading as a writer reads to Pam Houston’s Contents May Have Shifted, Judith Kitchen asks, “So is this memoir, masked as novel? Or novel, masked as memoir? That’s one of the first questions that a reader of this book asks. “What does it matter?” you might venture.   Here is our guest author’s explanation. Reading … Continue reading

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Judith Kitchen on Reading as a Writer Reads Part 1

For our community read this past March 2013, the librarians in Port Townsend, where I live, chose Pam Houston’s novel Contents May Have Shifted, a story, they felt to be about love and freedom in middle age, something dear to the hearts of many in this community. At the top of the month the library … Continue reading

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Worth 1000 Words

Creative nonfiction writer and novelist, Judith Kitchen shares with us a fruitful exercise she created for those of us searching for new ways to use photographs to inspire our writing. A photograph is both a pseudo-presence and a token of absence. . . — Susan Sontag, On Photography Traditionally, photographs have been used in nonfiction … Continue reading

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A Read Through Judith Kitchen’s Work

After reading In Short and In Brief, two anthologies of short personal essays co-edited by author Judith Kitchen, I re-read her collected essays in Only the Dance and Distance and Direction, and then her novel The House on Eccles Road. As I went to my bookshelf, I plucked Distance and Direction down first and returned … Continue reading

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Two Essays by Judith Kitchen

Yellow by Judith Kitchen (Reprinted by permission of the author from Distance and Direction, Coffee House Press, 2001, this essay first appeared in the Great River Review.) Lately the rush hour traffic begins before you have to put your headlights on. The season’s turned. I’m thinking back to summer solstice, thirty-five years ago, in Denmark. … Continue reading

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Insights into Endings – Part 2

After reading essayist and editor Judith Kitchen’s observations about effective essay endings for last week’s article, I turned to In Brief, the second of two creative nonfiction anthologies Kitchen co-edited with Mary Paumier Jones and published with W.W. Norton. In the introduction to this 1999 volume, Kitchen and Jones write that in addition to an … Continue reading

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Insights into Endings

In “Endings,” an instructional essay for the literary journal Fourth Genre, Fall, 2001, Judith Kitchen asserts that in a piece of creative nonfiction, “the building of thought is what interests the reader.” “We look as much for how an author approaches a subject,” she writes, “as for the subject itself.” In reading and writing essays, … Continue reading

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