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Body Language: A Traditional Turkish Bath Experience — 4 Comments

  1. Thank you Rhonda for taking me along on your magic carpet. I loved all 60 minutes of the ride. So glad you reverted to your orginal story and took Sheila’s suggestion for the opening paragraph. From my own experience, writing groups can cause you to doubt the feelings that only you, the writer, felt in that “womb-like” experience. You taught us so much.

  2. Rhonda did such a great job of showing what this extraordinary experience would feel like to the person who has never been there. I agree with byakars comment… the second version is more intimate and revealing to her real emotions.
    I found another thing fascinating. The fact that Rhonda submitted her original story that had been rewritten per the advice of her writing group. it felt stagnant and ‘contrived’ to me. When she reverted back to her original start, with Shelia’s excellent first paragraph idea, it flowed with her heart. I have experienced the quanry regarding whether or not to follow others’ advice…and was interested in Rhonda’s experience. I may never get to physically experience a Turkish bath, but have been able to through Rhonda’s eyes. Thank you, Rhonda.

  3. One further thought (no surprise!)to the above comment: In the first version it feels like Rhonda is reporting an event. In the second version, she’s living it right there on the page. Mission accomplished!

  4. From start to finish, this is a nearly flawless picture of the relationship between writer and editor to gain a fuller, more rounded story to hold the reader’s interest, to draw the reader onto that marble slab, to feel the ministrations to her body, and to understand the tremendous mix of emotions that occur in a foreign country while naked. The Turkish bath is the singular place where women can shed the restrictions placed upon them in every other aspect of their lives. Peeling off their clothing affords them equality in the space, revealed so well by the author. Beneath all that covering, there are women who, though similar in their nakedness, are highly individualistic. Rearranging the sequence of events in the piece makes it so much more effective, including how the reader is introduced, how the story flows without distraction, how far more detailed is the information that paints the picture of the experience. A phrase that clings is “I am pure”, for it captures and comprises the complete explanation of the purpose of the ritual, in the end. Another that shines and illuminates how massage can feel is” pummeled as coarse grain with a pestle in a mortar”. I love that. The revision shows us life as a Muslim woman, at least in the bath. Having been there and done that, I can attest to so many of the virant descriptions of her feelings as the writer takes us through the experience. The process is a showpiece about how to keep the reader included, to put the reader into it, in this case, how the marble feels, how unstable the body on a slippery, soapy slab, how the application of henna looks, how the women are reduced to a commonality they can not experience in any other way, how comfortable they are in the reduction to nakedness. So when I show my brother flying my kite in my own story, I am more aware of how the wind feels on the tug of string, how he gets lost in the absorption of his success against mine, about his envy and how that is manifested. The revision has so much more depth, is so much more tactile, like a meal eaten with the fingers instead of the daintiness of a fork. Mouth filling, tasty, satisfying slice of Turkish life. Bravo, Rhonda.

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