Comments

Perspective — 4 Comments

  1. I also love this piece. It is so vivid. The weaving of past and present works as an effective learning tool for those of us who’d like to write about our own memories. Something about this story made me feel happy. I felt as though by writing in such a beautiful direct way, the author was taking back all the jewelry that had been stolen from her. Especially when the ruby earrings are described on the grandmother’s ears, I felt a shock as if they were there in front of me much more vividly than if I’d just happened to notice them on someone’s ears. Suddenly, the earrings had so many associations with the grandmother and her love and her Italian cooking, that they were so much more than just earrings. I think the author succeeded in transforming her stolen jewelry into the very rich evocative items they were for her, rather than just the jewels and metal they were made of. In this way, I think writing can be a huge victory. No one can steal these lyrical and lovely memories that are richer than simple metal, stones and clockwork.

  2. Methinks writing is so much better than lawyering! For my personal needs, this offering is particularly helpful. The stories from my past are all about my present. The tapestry weaving is often a challenge to keep my audience clear about where they are in the telling. (A memoir is at once an indulgent and difficult thing to write, painfully revealing, wildly freeing, a trial to orchestrate). I am so smitten! Jan sees in jewel-tones and describes exactly what she sees, seeing with such intricacy, bringing the page fully alive with the exquisite detail she paints with words. I could feel the cool water sloshing out of the pail, spraying my own legs, raising goose bumps from the cold as she reeled me (like that fish)into her story. Ruby teardrops, hen-bodied, moohtsadell, curvy-bottled Cokes are the colors in her paintbox which she wields with a fine brush to paint her memoir. Eudora Welty says that “events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order, a timetable not necessarily -perhaps not possibly- chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation”. Jan’s intricate and telling recount of her heirloom losses blossoms into the full realization that while it is painful to be unhooked from those very treasures that tie us to our memories, they, too, become the memory that binds us to the realization that such treasure is miniscule compared to the treasure right in front of us, and that there is an enforced loss when we count those lost treasures on our fingers ad infinitum, so to miss the new treasures continually placed before us. When we hang on for dear life to our losses,close-fisted, until we let them go, nothing new can drop into our un-open hand. How do I know? Because, of that, I am so very guilty. (My Mom called that mechanism crying poor with a loaf of bread under your arm). Jan’s deft hand at weaving so that the reader does not get lost or confused in the telling, is masterful, a beautiful instruction of how to use triggers as the guidepost through the story. And she does it without any sense of contrivance or manipulation. In the end, her point is beautifully made: we love our things, our heirlooms, our fab finds, our possessions to which we assign so much hidden value, that losing the material might mean losing all that is attached to them. But true treasure lies within those things she really values: place, time, family, those things no thief will ever be able to steal.

Leave a Reply

HTML tags allowed in your comment: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>