Style Is the Wardrobe, Hairdo and Makeup a Storyteller’s Voice Wears

[This article originally appeared online for the Eleven Stories online writing program.– Ed.] My mother called me after the royal wedding of Prince Harry and Meghan Markle to talk about the bride’s gown. The daughter of a ladies coats and suit designer, my mother grew up immersed in New York city’s fashion district. She called Markle’s … Continue reading

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Endings Part II–Twists, Surprises, and Morals

Here’s the second part of the series I created for Kahini’s Eleven Stories program. I hope you enjoy the short stories as you follow along on the included documents as I read. And, of course, I hope you enjoy my discussions of these kinds of endings: twists, surprises and morals, oh my!

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Endings Part One

Here is a video I prepared for a program online called Eleven Stories. I hope you enjoy my talk (with documents in there so you can follow along as I read and lecture).  I will post Endings Part II next week. I’d love to hear from you about how this information helps and/or what questions … Continue reading

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An Approach to Writing Flash Nonfiction

Flash prose, sometimes called flash literature, is creative writing between 500 and 1500 words. This term includes further subgenres prose poetry, short essays and vignettes. Like the longer essay, or something now called short memoir, the flash personal essay evokes experience and arrives at discovery through the writer’s telling. Because it is short, it maintains a firm focus … Continue reading

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More on How to Write the How-to Essay (and Why)

I’ve been teaching the how-to essay again and reading models. I love how the how-to format offers the personal essayist a structure that inspires poignancy, honesty, and humor. Here is an excerpt from my book Writing and Sharing Personal Essays. And for after you’ve read about this style essay and the sample essay in the … Continue reading

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Omniscient Narrator–Have fun with the all-seeing!

I’ve made a short video for a program called 11 Stories that has “aired” for the people in that program. I am sharing it with Writing It Real members this week. In the video, I give a lesson on the third-person omniscient point of view in writing.  I think those of you writing flash nonfiction or fiction … Continue reading

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Crafting Stories for Children (and Adults)

This week’s article by Nancy Lamb is a repost from 2008. It includes information on easy readers as well as on shaping other stories for children (or for any reader, really).  Nancy Lamb, author of The Writer’s Guide to Crafting Stories for Children, has edited many books by those hoping to enter the young adult … Continue reading

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Anna Quinn’s Novel The Night Child Holds Lessons for Writers

In The Night Child, Nora Brown, descends into the kind of fragmentation that results when traumatic events have been repressed, her world becomes anxious and dark. In Anna Quinn’s skillful hands, both the world inside of Nora (who is no longer able to repress terrifying memories) and the world of loving people in her adult … Continue reading

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Stage and Screen Prompts to Help Your Writing Craft

Whether you have wanted to write a play or a screenplay or are involved in writing memoir, thinking like a playwright will help you tell a story well by writing in scenes, creating evolving characters (yourself and others in your memoir) and using plot that employs conflict and life obstacles. Here are screen writing/play writing … Continue reading

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Writing Poetry for a Clearer, More Centered Self

Writing poetry, no matter what genre you usually work in, is truly an experience of re-creating a self. In writing poems from experience and from meditative and reflective moments, we are the makers of something that helps us come to know ourselves and have increased intimacy with ourselves. From this intimacy comes the creation of … Continue reading

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Reading as a Writer Reads — Taking a Lesson from the Writing in Just Fall, a Novel

I am an avid fan of Jane Friedman’s blog on writing and publishing. She is informative and up-to-date, presenting her expertise with scope and clarity. This week, I read her interview with screenwriter turned novelist, Nina R. Sadowsky.  I was impressed with the author’s words on how a background in screenwriting informed her novel writing. … Continue reading

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A Useful Review for Employing the Five Senses in Writing Scenes

In writing, we only feel included as readers when our senses are involved. As we read with our senses involved, we learn more about ourselves and others by encountering the way the others record surroundings through their senses. As writers, we have a fuller picture when we allow our characters and ourselves as speakers to … Continue reading

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A Writer’s Role Models: Canadian Author Miriam Towes and Her 15-Year-Old Character Elfrieda

This week, I have made a video for Writing It Real’s Weekly Article. In it, I share a passage from Canadian author Miriam Toews’ novel All My Puny Sorrows in which a talented 15-year-old piano player exercises her genius against the unwelcome authoritarianism of the Mennonite elders, who “willy nilly” as the girl’s mother says, … Continue reading

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Toward Beginning A Year of Writing Poetry (Or Improving Your Prose Through Poetry)

For January: Dreams and Repetitions In this month of the inauguration of a new president of our country, it seems particularly appropriate and important to study the orators of our great nation who called out for freedoms we enjoy. Reading the words of Dr. King, Thomas Jefferson and Barack Obama, we can experience the power … Continue reading

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Wash and Shine the Fruit of Your Labor

I believe that we write in three stages–we act as playful inventors on the page, move on to the task of shaping our experience, and finally edit what we have written. Although these stages sometimes overlap a bit, on the whole, they are best thought of as separate. Just as we must never short circuit … Continue reading

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20 Dialog Building Prompts

Dialog moves a narrative along in fiction, personal essay, memoir and poetry, too. Playing with ways to experiment with dialog will help you build your dexterity with this aspect of the writing craft. And playing with the prompts might have you creating some new writing you’ll want to expand. Write a conversation between three people–one who … Continue reading

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20 Character Building Exercises

When we write fiction, we need to get inside our characters’ beings. When we write memoir, we need to learn more about our own character as well as the character of people who have influenced our experience. But sometimes we need a pathway to find fresh material. Here are 20 exercises for getting to know our characters and … Continue reading

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Play with 20 Scene Building Prompts

Last week, I wrote about doing a scene-writing exercise short story writer and teacher, Ron Carlson, invented. This week, I am posting 20 ideas I’ve put together for practice writing scenes that will help you develop dexterity in presenting your story, fiction or nonfiction, with the kinds of phrasing and details that absorb readers. Try … Continue reading

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The Physicality of Writing Scenes and Characters

As writers, we are aware of the dictum “Show, don’t tell,” but sometimes what we think of as showing turns out to be only another way of telling and avoiding showing. On this subject, I often quote fiction writer Ron Carlson’s words in his book, Ron Carlson Writes a Story: Outer story, the physical world, is … Continue reading

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Writing Dispatch from Denmark: Northern Jutland Pantoum

I am in Denmark for the month of August visiting my daughter and her family. She and her husband are here working, and the international school my grandsons attended is out for the summer. My job is being nanny, but it’s more like company, for the boys. An enthusiastic traveler, Emily makes sure weekends are full. On my first … Continue reading

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