In his book Care of the Soul, Thomas Moore writes about a client he saw in counseling who was having problems with food and dreamt that her esophagus was made of plastic and wasn’t reaching her stomach. Moore says: The … Continue reading →
There are so many times that our minds are cluttered with responsibilities and obligations and worries. These are the times that we are upset with ourselves for not writing and instead, we dig deeper into what is keeping us from … Continue reading →
For decades I jotted down phrases that captured images that came to me—a dollhouse staircase, a cat lapping sunlit water, or icicles reflecting a sunset like jeweled daggers—then stuffed them in folders or slid them in desk drawers. I never … Continue reading →
Introduction to an Excerpt from Tell it Slant (Available from Powell’s and Amazon as well as your favorite bookseller). By Brenda Miller In 2001, when Suzanne Paola and I began talking about writing a textbook for creative nonfiction, no such … Continue reading →
Writing a litany of praise for anyone to whom you owe gratitude for life lessons will work in interesting ways if you take on the seemingly unpraiseworthy as if it were praiseworthy. You will get interesting results that push your … Continue reading →
Writing poetry, no matter what genre you usually work in, is truly an experience of re-creating a self. In writing poems from experience and from meditative and reflective moments, you become the maker of something that builds increased intimacy with … Continue reading →
About the size of my palm, the orange glass turtle with stout yellow feet has been with me since 1972. We started out in Matawan, New Jersey, where my 7th-grade class presented him to me as a goodbye gift–I was … Continue reading →
As I update an earlier book of mine, A Year in the Life: Journaling for Self-Discovery, I will be sharing some of my favorite writing exercises with you over the next few weeks. Here’s the first of several lessons I … Continue reading →
I was sitting at my dining table this morning with a cup of coffee looking out over the still smoky and haze-ridden sky we had experienced on the Olympic Peninsula for a week because of fires in Eastern Washington and … Continue reading →
August is the Gregorian calendar month named after the Roman Augustus Caesar, the man responsible for spreading the Roman Empire over the earth. He wrote about his great accomplishments, writings some think of as the typical age-old boastings of a … Continue reading →
Creative writing requires that we create experience through our words. We can’t just say a day was amazing, or it was depressing, or that a character felt ecstatic about something without our readers becoming disengaged. If we do that we … Continue reading →
Years ago, a poet friend of mine, Jim Mitsui, ended a poem with an image of people “following their keys home.” That image has lingered with me as a lesson about what the writing life saves us from, which is … Continue reading →
Flash prose, sometimes called flash literature, is creative writing between 500 and 1500 words. This term includes further subgenres prose poetry, short essays and vignettes. Like the longer essay, or something now called short memoir, the flash personal essay evokes experience and arrives … Continue reading →
Earlier this month, I spoke with Linda Joy Myers of the International Association of Memoir Writers as a guest on her podcast series Breaking the Silence (the player link for you is below). I spoke about tools for getting to … Continue reading →
One of two writings tied for second place in our fall/winter 2018 writing contest is “Gravesite Visit,” a poem by Writing It Real member Nancy Levinson. Our guest judge Kelli Agondon described her choice this way: “Gravesite Visit” is a … Continue reading →
[This article appeared in slightly different form in 2014 — ed.] As writers, our ears are tuned for measuring the quality of the words we hear around us. Sometimes, our ears catch speech we think is pure poetry or could be if … Continue reading →
The flash sequence uses poetic leaps of association for examining the impact of difficult-to-articulate circumstances. Sometimes it is accomplished in journal entries, other times with meditations about place, or people or objects. Sometimes it is composed of collections of scenes. … Continue reading →
This winter’s holiday school break, my grandson, now 15 and a half years old and equipped with his driver’s permit, took a two-week intensive driver’s education class. I certainly felt the passage of time as I remembered using an image … Continue reading →
Many say that the hardest part of writing is moving from daily activities to being able to create work that transcends the daily. There are ways, though, to launch new writing that unexpectedly gets you to your deepest material while … Continue reading →
Listening to successful children?s book writer Patrick Jennings during an interview with him for ?In Conversation: Discussions on Writing and the Writing Life,? I realized again how much authors of books for young readers have to teach all of us … Continue reading →
A few years ago, I had the pleasure of interviewing memoirist and novelist Pam Houston. At the time of the interview, her book, Contents May Have Shifted, was Port Townsend?s Community Read. I did the taping on behalf of our … Continue reading →
For us in northern states, fall brings shorter daylight, leaves to rake and cider mills to visit where we sip fresh apple cider and eat sweet doughnuts. We fill a nip in the air. In warm climates, fall begins the … Continue reading →
Writing poetry, no matter what genre you usually work in, is truly an experience of re-creating a self. In writing poems from experience and from meditative and reflective moments, we are the makers of something that helps us come to … Continue reading →
In writing, we only feel included as readers when our senses are involved. As we read with our senses involved, we learn more about ourselves and others by encountering the way the others record surroundings through their senses. As writers, … Continue reading →
A writing colleague of mine once shared in an essay that when she angrily broke up with a beloved college boyfriend under duress because her father didn’t like him, she took the Dutch oven they used for cooking and buried … Continue reading →
As the Presidential candidates for nomination continue to gather followers with predictable phrases, and pundits attempt to predict who the will be the frontrunners, I am reminded of the importance of writing toward felt insight. We need to leave abstracting and sentimentality behind if we … Continue reading →
The back and forth you’ll read this week on the development of an essay-in-progress demonstrates the power of my three-step response method for helping writers revise. Years ago, Marjorie Ford sent me an essay-in-progress that she was having trouble developing to her satisfaction for meeting an upcoming anthology … Continue reading →
Robert Epstein has invested years in conceiving and writing books, among them a series of impressive haiku anthologies. This National Poetry Month, I am delighted to post an interview with him that gets to the heart of how haiku connects us to … Continue reading →
Before embarking on a third revision of A New Theology: Turning to Poetry in a Time of Grief, an intense book-length personal narrative, I worked with writer, photographer and shamanic practitioner Pam Hale Trachta for guidance in knowing what I … Continue reading →
Last week, I wrote about doing a scene-writing exercise short story writer and teacher, Ron Carlson, invented. This week, I am posting 20 ideas I’ve put together for practice writing scenes that will help you develop dexterity in presenting your … Continue reading →
As writers, we are aware of the dictum “Show, don’t tell,” but sometimes what we think of as showing turns out to be only another way of telling and avoiding showing. On this subject, I often quote fiction writer Ron … Continue reading →
Before appointments, when a meeting hasn’t started, when a bus hasn’t come, when a friend is late, when you have finished something and still have time before the next thing in your day, when you arrive early to work — … Continue reading →
Christine Hemp offers us her thinking about how we may find our prose and poetry’s true subjects followed by a writing exercise for practice and two sample poems. [This article and exercise were originally published in Now Write! Nonfiction: Memoir, Journalism and Creative … Continue reading →
I am pleased to publish this interview with award winning memoirist Sue William Silverman about the writing of her newest memoir and her advice to those of us who write from personal experience. The Pat Boone Fan Club: My Life … Continue reading →
You may think that being creative requires that you have an idea for a finished product. But an important attribute of creativity is that it produces what it will, not necessarily what you were thinking it ought to. You may … Continue reading →
Writing depends on our willingness to observe closely and our ability to allow ourselves to engage emotionally with what we are observing. So often, though, we don’t remember to take time to look around rather than look only at our … Continue reading →
A few years ago, Kathy Lockwood, one of my distance learning students, was having trouble writing poems because she was moving. She had to clean out and reduce her belongings, pack things up and move on, though she and her … Continue reading →
There is a pleasure in the thought that the particular tone of my mind at this moment may be new in the universe; that the emotions of this hour may be peculiar and unexampled in the whole of eternity of … Continue reading →
As adults, we are so used to summarizing and editorializing. We have learned that abstractions are considered “smart” in writing and having opinions makes us sound even smarter. That’s what our teachers wanted from us on papers and on essay … Continue reading →
My daughter Emily took a trip with her husband, children, and parents-in-law to India, where her husband has many relatives. During the three-week trip, I was very happy to be able to follow her travels through photos and writing she … Continue reading →
Thelma Zirkelbach describes her memoir as “a story of love and loss and unexpected courage.” In the following excerpt from Chapter 11 of Stumbling Through the Dark, Mazo Publishers, 2013 (posted here with permission of the author), Thelma’s husband Ralph … Continue reading →
Sandra Hurtes is the author of the essay collection, On My Way To Someplace Else and the chapbook RESCUE. Her essays and articles have appeared in The New York Times, The Washington Post and Poets & Writers, among other publications. You … Continue reading →
I receive news headlines online from the Washington Post. It is unusual for one of their tech headlines to capture my interest, let alone to inspire a creative writing idea. But yesterday, a headline about a tech book review caught … Continue reading →
In our spring/summer Writing It Real contest, writers and poets sent in writing inspired by the world around them. That’s a broad topic as we might be looking at the world close up and intimately or from afar. In selecting … Continue reading →
To Write is to Observe: Learning This Again on a Trip to Turkey In Mid-May, I took a trip to Turkey with 11 women writers. Susan Bono and I gathered participants who met together for four days of touring Istanbul. Our … Continue reading →
Most of us find it hard sometimes to believe that the specifics of what we see, taste, touch, smell and hear relate our inner perceptions and feelings (or those of our characters) without explanation. We may be writing with specifics … Continue reading →