Exploring your life on the page is daunting whether you are writing short memoir (the personal essay) or a book-length manuscript. Where does one start? How does one choose the highlights for the story’s exploration? How does one find surprises? Here are 20 ideas to find a point of entry and to organize your memoir … Continue reading →
“If I’d only known what was in this book forty years ago, how much more money would I have made and how fewer problems would I have encountered?” Karen wonders. Isn’t that true for all of us in our lives—if we knew what we know now we could have done better at what mattered to … Continue reading →
 Deborah Berger asked women to write letters about what they never told their mothers.  Ultimately, she edited a selection of the contributions, along with profiles of their authors, into Dear Mom, Women’s Letters of Love, Loss and Longing. In her introduction to the work, she writes, “We are always linked to our mothers: both to … Continue reading →
When Marlene Samuels found a publisher for her deceased mother’s World War II memoir, The Seamstress: A Memoir of Survival, her editor at Penguin-Berkeley had two conditions. She would have to ensure the accuracy of all the book’s facts (the names of every town and city in Eastern Europe during the early 1900’s up to … Continue reading →
This book is a big one?in every way. In its 813 beautifully designed pages and over 450 gorgeous photos and images, a story unfolds not only of fine handpress printing but the man who printed works by many great 20th Century writers as well as prepared food for them and others in his own kitchens … Continue reading →
Writing It Real member Arla Shephard Bull worked back and forth with me on developing an essay that was important to her to write. She had decided to use the third person as a way of distancing herself enough to approach the topic of a painful family trip. Despite a question she had about that … Continue reading →
Our fall/winter contest judge Stan Rubin was struck with the lyric qualities in Afrose Ahmed’s entry, “the world did end…we just didn’t notice.” He wrote in his comments: “A gorgeous piece of lyrical writing. The odd but wonderfully sustained angle of vision—post-apocalyptic, witty, and liminal all at once—establishes its own rhythm and deepens to revelation. … Continue reading →
Stan Rubin, our guest contest judge, shares these remarks about his choice of Amanda Noble’s essay, “The Meditation Room”: A nuanced portrayal of the shifting stages of private grief––and its gradual acceptance. This process is depicted with precision, intelligence, and sophisticated self-awareness. The writing keeps a sharp focus. A lot of emotional terrain is deftly … Continue reading →
Contest judge Stan Rubin, a master teacher, poet and friend of writing, wrote that Emma Hunter’s essay: Gracefully lives up to its rather daunting title, with wit and philosophical sweep. Concisely renders a dual vision — adult and child, the mundane and the cosmic — with natural dialogue and internal reflection, in a realistic scene. The relationships are delicately and … Continue reading →
Tarn Wilson delivered this paper for a panel on “Hydra-Headed Memoirs & Well-Connected Essays” at the 2015 Nonfiction Now conference. I am delighted to have her permission to post her words for Writing It Real readers. Tarn’s lovely memoir is The Slow Farm. She uses her experience writing it to inform other writers about her … Continue reading →
In this excerpt from Jack Heffron’s book project?that combines fiction and nonfiction, you’ll notice the strength of Jack’s?scenes and dialog, exactly the craft skills?he?will be teaching this year at the June 9-12 Writing It Real conference. In the book, Jack told me, the protagonist, Jack Finney, is a retired advertising executive who recently has been … Continue reading →
The opening of Meg Files’ fine novel The Third Law of Motion?introduces the?book’s first-person narrative as we enter protagonist Dulcie White’s life as a college-bound high school student. In alternating chapters throughout the book, the young woman’s sometimes boyfriend, a confused and needy?young man, also narrates, but in the third person. Meg does an expert … Continue reading →
As the Presidential candidates for nomination continue to gather followers with predictable phrases, and pundits attempt to predict who the will be the frontrunners, I am reminded of the importance of writing toward felt insight. We need to leave abstracting and sentimentality behind if we are to find insight and make deep connections with ourselves and others through our writing. … Continue reading →
Every few months, I sit with sound engineer Charlie Fleishman at the studio of Port Townsend, WA’s all volunteer FM station KPTZ.org and record conversations with four writers. Each of these Sundays includes telephone conversations with writers from anywhere in the country and in studio conversations local writers. ?Each program plays two to three times … Continue reading →
Contest Winners: Marie Hartung, Judith Sornberger and Cheryl Johnson. I am pleased to post the three winning poems in our last Writing It Real writing contest. You remember the challenge—to include the number 12 in some way in the poem. Our guest judge Jeannine Hall Gailey chose the winners, each of whom is entitled to … Continue reading →
This week, Judy Reeves, author of the new book, Wild Women, Wild Voices, shares her thoughts on writing practice. Here article serves as a good review for all of us who are busy concentrating on revising and publishing and may have begun to overlook the idea of what a writing practice is and offers. She … Continue reading →
The following is an excerpt from Phyllis M. Washburn’s book Good Morning Sam. In this part of the story, Phyllis and her husband Ralph rescue Sam, a mute swan, from bleeding to death. In all, the couple shared twenty-four years with mute swans and the book documents their time in narrative and photos. To read my interview … Continue reading →
Phyllis Washburn sent me a copy of the book she’d written, Good Morning Sam, which includes many of her husband Ralph’s photos. In photos and words, theirs is the story of the mute swan Sam, whom they named when he accepted them as part of his natural world. Over the years, the couple saved Sam … Continue reading →
I believe that we write in three stages–we act as playful inventors on the page, move on to the task of shaping our experience, and finally edit what we have written. Although these stages sometimes overlap a bit, on the whole, they are best thought of as separate. Just as we must never short circuit … Continue reading →
The back and forth you’ll read this week on the development of an essay-in-progress demonstrates the power of my three-step response method for helping writers revise. Years ago, Marjorie Ford sent me an essay-in-progress that she was having trouble developing to her satisfaction for meeting an upcoming anthology submission deadline. After I received her first draft, we immersed ourselves in the three-step response, back and … Continue reading →
We too often receive unhelpful, even harmful, response from first readers of our early drafts. We may feel our writing is being ripped apart or our readers are more interested in fixing punctuation and grammar than in our subject and feelings. Or we may hear, “That’s nice,” which is deflating and doesn’t really help us move deeper into our … Continue reading →
As both an accomplished writer and a career librarian, Carol Smallwood knows a lot about what women ask when they wish to learn about the writing and publishing process. Over the years, I’ve received email invitations from Carol asking for contributions to anthologies whose subjects have rung true as extremely useful for women writers. I … Continue reading →
Jody Gentian Bower’s new book, Jane Eyre’s Sisters: How Women Live and Write the Heroine’s Story, is sure to change some minds about the path of women’s literature. I am pleased to post the following interview with Jody. I know readers will find both her thinking and her commitment to the process of creating her … Continue reading →
Robert Epstein has invested years in conceiving and writing books, among them a series of impressive haiku anthologies. This National Poetry Month, I am delighted to post an interview with him that gets to the heart of how haiku connects us to the sacred and demonstrates what we come to poetry for — to understand and to share … Continue reading →
Before embarking on a third revision of A New Theology: Turning to Poetry in a Time of Grief, an intense book-length personal narrative, I worked with writer, photographer and shamanic practitioner Pam Hale Trachta for guidance in knowing what I wanted to do in developing my manuscript. Because it is about my son’s death in … Continue reading →
This week we present the third place winner in our 2014 Writing It Real Essay Contest. Our guest judge Midge Raymond selected Lisa Hunter’s essay, “Twelve Random Cards: A Self-Portrait in Archetypes.” Midge wrote this about her selection: “This clever self portrait, while a memoir of self-examination and brief stories, also allows us as readers … Continue reading →
We are pleased to post the second place winning essay in this past winter’s Writing It Real essay contest. Our guidelines said the number 12 was to be somewhere in the essay in honor of Writing It Real’s 12th Anniversary. Our guest judge, Midge Raymond, co-founder of Oregon’s Ashland Creek Press, chose Maureen Mistry’s “The … Continue reading →
We are pleased to post the winning essay in this past winter’s Writing It Real essay contest. Our guidelines said the number 12 was to be somewhere in the essay in honor of Writing It Real’s 12th Anniversary. Our guest judge Midge Raymond, co-founder of Oregon’s Ashland Creek Press, chose Gillian Herbert’s “Three of Twelve” … Continue reading →
Not long ago, Writing It Real member Dorothy Ross wrote to me about her newest project — recording the narratives she’s written about her life for her family to have in the form of audio files. I listened to a few of them and was so pleased to hear her physical voice. I immediately wanted … Continue reading →
Some of us write and don’t allow ourselves to even think we will publish because it seems out of our reach; others of us worry about publishing way too early, and, therefore, don’t write what we might. Writing comes first, of course, and that means writing what you have in you to write and need to write. When … Continue reading →
When it comes to writing, we so often undermine our efforts by thinking that we are not disciplined enough, educated enough, smart enough, skilled enough, or wise enough to call ourselves writers. We must find ways to change that thinking if we are to allow writing an important place in our lives. It matters that we … Continue reading →
One of my favorite writing mantras is from author Ron Carlson: “Don’t think, write.” Another is my own sentence, “Intention kills the meaning-making.” What I’ve found is that coming to the page with a sense of anticipation about not knowing what will arrive fosters the rising of deep meanings from the midst of the images … Continue reading →
Esther Helfgott’s life-long writing habit helped her weather her husband Abe’s diagnosis of Alzheimer’s and the grief of slowly losing their thirty-year partnership. Using writing as a tool to handle this profound life change, she created the moving memoir, Dear Alzheimer’s: A Caregiver’s Diary & Poems. When her husband Abe died, she began writing the … Continue reading →
The following essay by Susan Bono is the title essay from her new collection What Have We Here: Essays about Keeping House and Finding Home. We reprint it this week with her permission. To learn more about Susan’s writing and the place of the personal essay in her writing life, please see last week’s interview. What Have We … Continue reading →
For writer and small press publisher (Tiny Lights) Susan Bono, the last thirty years have mostly been about trying to stay ahead of a husband, growing kids, aging parents, and an eccentric old house, in spite of detours, deadlines, unexpected changes, and inevitable losses. But through it all, she’s been taking notes. In her collection of … Continue reading →