A Useful Review for Employing the Five Senses in Writing Scenes

In writing, we only feel included as readers when our senses are involved. As we read with our senses involved, we learn more about ourselves and others by encountering the way the others record surroundings through their senses. As writers, we have a fuller picture when we allow our characters and ourselves as speakers to … Continue reading
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Burying the Dutch Oven: A Writing Exercise for Discovery

A writing colleague of mine once shared in an essay that when she angrily broke up with a beloved college boyfriend under duress because her father didn’t like him, she took the Dutch oven they used for cooking and buried it in the backyard before she left. The topic of the essay was finding him … Continue reading
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Clear the Debris of Abstraction and Sentimentality

As the Presidential candidates for nomination continue to gather followers with predictable phrases, and pundits attempt to predict who the will be the frontrunners, I am reminded of the importance of writing toward felt insight. We need to leave abstracting and sentimentality behind if we are to find insight and make deep connections with ourselves and others through our writing. … Continue reading
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Before and After: Shaping a Personal Essay Using the 3-Step Response Method

The back and forth you’ll read this week on the development of an essay-in-progress demonstrates the power of my three-step response method for helping writers revise. Years ago, Marjorie Ford sent me an essay-in-progress that she was having trouble developing to her satisfaction for meeting an upcoming anthology submission deadline. After I received her first draft, we immersed ourselves in the three-step response, back and … Continue reading
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Haiku Poets Focus on What Matters Most: An Interview with Robert Epstein

Robert Epstein has invested years in conceiving and writing books, among them a series of impressive haiku anthologies. This National Poetry Month, I am delighted to post an interview with him that gets to the heart of how haiku connects us to the sacred and demonstrates what we come to poetry for — to understand and to share … Continue reading
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Sand Spirit Cards — A Tool for Writers

Before embarking on a third revision of A New Theology: Turning to Poetry in a Time of Grief, an intense book-length personal narrative, I worked with writer, photographer and shamanic practitioner Pam Hale Trachta for guidance in knowing what I wanted to do in developing my manuscript. Because it is about my son’s death in … Continue reading
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Writing Poetry for a Clearer, More Centered Self

Writing poetry, no matter what genre you usually work in, is truly an experience of re-creating a self. In writing poems from experience and from meditative and reflective moments, we are the makers of something that helps us come to know ourselves and have increased intimacy with ourselves. From this intimacy comes the creation of … Continue reading
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Play with 20 Scene Building Prompts

Last week, I wrote about doing a scene-writing exercise short story writer and teacher, Ron Carlson, invented. This week, I am posting 20 ideas I’ve put together for practice writing scenes that will help you develop dexterity in presenting your story, fiction or nonfiction, with the kinds of phrasing and details that absorb readers. Try … Continue reading
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The Physicality of Writing Scenes and Characters

As writers, we are aware of the dictum “Show, don’t tell,” but sometimes what we think of as showing turns out to be only another way of telling and avoiding showing. On this subject, I often quote fiction writer Ron Carlson’s words in his book, Ron Carlson Writes a Story: Outer story, the physical world, is … Continue reading
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To Follow Your Words, Not Your Keys, Home

Years ago, a poet friend of mine, Jim Mitsui, ended a poem with an image of people “following their keys home.” That image has lingered with me as a lesson about what the writing life saves us from, which is the dullness of always expecting the expected, and what it requires of us, which is … Continue reading
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For Writers, “Finders Keepers” Can Mean “Finders Re-arrangers”

As writers, our ears are tuned for measuring the quality of the words we hear around us. Sometimes, our ears catch speech we think is pure poetry or could be if read that way. We find that with a little rearranging these words express more humor, more awe, more despair, or more of the irony and quirkiness of … Continue reading
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You Could Be Writing, Not Waiting to Write: Four Very Portable Short Forms

Before appointments, when a meeting hasn’t started, when a bus hasn’t come, when a friend is late, when you have finished something and still have time before the next thing in your day, when you arrive early to work — do you write or reflexively check your email or text a friend or leaf through … Continue reading
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Writing Your Way in the Back Door: The Painting as Entry

Christine Hemp offers us her thinking about how we may find our prose and poetry’s true subjects followed by a writing exercise for practice and two sample poems. [This article and exercise were originally published in Now Write! Nonfiction: Memoir, Journalism and Creative Nonfiction Exercises from Today’s Best Writers and Teachers, from Jeremy P. Tarcher/Penguin, edited by Sherry … Continue reading
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Interview with Memoirist Sue William Silverman

I am pleased to publish this interview with award winning memoirist Sue William Silverman about the writing of her newest memoir and her advice to those of us who write from personal experience. The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew, follows two earlier memoirs, Because I Remember Terror, Father, I … Continue reading
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Where Does Creativity Start?

You may think that being creative requires that you have an idea for a finished product. But an important attribute of creativity is that it produces what it will, not necessarily what you were thinking it ought to. You may think creativity requires completing laborious hours of work. But many people experience creativity seeming to … Continue reading
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Our Writing Minds Depend on This

Writing depends on our willingness to observe closely and our ability to allow ourselves to engage emotionally with what we are observing. So often, though, we don’t remember to take time to look around rather than look only at our screens because of the mad crush of email, texts, instant messages, facebook posts, tweets, and … Continue reading
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If You Write Prose, You Can Write Poetry

A few years ago, Kathy Lockwood, one of my distance learning students, was having trouble writing poems because she was moving. She had to clean out and reduce her belongings, pack things up and move on, though she and her husband weren’t exactly sure where his work would be taking them. When she called for help, … Continue reading
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Look, Listen, Touch, Smell, Taste: 7 More Ideas for Your Writer’s Journal

There is a pleasure in the thought that the particular tone of my mind at this moment may be new in the universe; that the emotions of this hour may be peculiar and unexampled in the whole of eternity of moral being. — Ralph Waldo Emerson, April 17, 1827, Charleston, South Carolina How can you … Continue reading
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In May I Rush to Use Sensory Details

As adults, we are so used to summarizing and editorializing. We have learned that abstractions are considered “smart” in writing and having opinions makes us sound even smarter. That’s what our teachers wanted from us on papers and on essay tests. But creative writing, whether that is in poetry, fiction, personal essay or in longer … Continue reading
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TIL – A Strategy for Travel Writing

My daughter Emily took a trip with her husband, children, and parents-in-law to India, where her husband has many relatives. During the three-week trip, I was very happy to be able to follow her travels through photos and writing she shared on Facebook. Her Facebook posts took a form that made me think of William … Continue reading
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