The word epistolary comes from the Greek epistol?, which means “letter.” Writers use the letter form in writing personal essays, poems, creative nonfiction and fiction because the form provides a ready-made container to hold an exploration of events and experiences. Writing in the letter form quickly builds intimacy with readers because a letter is addressed to someone … Continue reading
What have writers shared about unleashing one’s best and most insightful creative work? G. Lynn Nelson, a professor of English at Arizona State University believes we must undo some of what we have been taught about language and use language in our journals as it was once used-to evoke mystery. In Writing and Being: Taking … Continue reading
Two weeks ago, I posted an article with writing ideas for getting started on new material and asked those who wanted to do so to send me accounts of the games they have played and enjoyed, especially in childhood. My thanks to Nancy Levinson, author of Moments of Dawn: A Poetic Memoir of Love & … Continue reading
I have been an eager reader of flash stories by Jim Heynen for years. I’ve read The Man Who Kept Cigars Under His Cap, One-Room School House: Stories About the Boys, The Boy’s House: New and Selected Stories as well as his newest collection Ordinary Sins: Stories. You can visit this web page to view … Continue reading
When I teach in person, people sometimes show up having purchased a copy of the recently updated edition of my first instructional book on writing: Writing in a Convertible with the Top Down, which I co-authored with Christi Killien Glover. Their interest prompts me to include exercises from that book during our class time together. This week, I’d like to … Continue reading
“The Way I See It” is the “Prologue” from Writing Personal Essays: Sharing and Shaping Your Life Experience, Published in print and digitally by Sheila Bender’s Writing It Real, March, 2017 [Note: I wrote a slightly different version of this essay for the 1995 edition of my book. Everything I realized then remains important to … Continue reading
Creating Self-Understanding Despite Fears of Revealing Your Own Shortcomings and True Experience Before we see what writers have said on the issue of fear about revealing oneself through writing, try this exercise: Select four or so pieces of your writing. Look for nouns that you used more than you knew you did. Circle these words … Continue reading
Healing Through the Dark Emotions From journal writing to writing finished plays, memoir, poems and fiction, writers evoke and examine encounters with the dark emotions incited by misfortune, abuse, divorce, severe lack of confidence, fear of difficult and horrifying situations in our world, as well as the loss of a loved one or of a … Continue reading
I have been teaching a class called “Writing is a Friend with Extraordinary Benefits” for a couple of years now through Women on Writing. I have been extremely engaged in what my students write and thrilled by the evidence that by writing from certain models the writers have reaffirmed their belief in the value of writing. After … Continue reading
For January: Dreams and Repetitions In this month of the inauguration of a new president of our country, it seems particularly appropriate and important to study the orators of our great nation who called out for freedoms we enjoy. Reading the words of Dr. King, Thomas Jefferson and Barack Obama, we can experience the power … Continue reading
How does one muster the courage to keep writing even when no one has asked for her to write? How does a writer handle restlessness and disappointment? The author Ralph Keyes writes in The Courage to Write: How Writers Transcend Fear that when he started out as a writer, he had no idea that courage … Continue reading
[Editor’s note: Sometimes I teach a class for Women on Writing that I call “Writing is a Friend with Extraordinary Benefits.” The following essay by Katherine Clarke is reprinted with permission of the author, is an example of what happens in this class — one writer’s words offering extraordinary benefits for each of us who write.] Like many people … Continue reading
What are we writers to do in a nation where so many young and old seem to have gone mad, publically shouting and bullying, using crude names for those of the female sex and for people of non-Christian religions and for people of color — here in a country where over decades we’ve: Passed legislation … Continue reading
Joan Leof’s collection of essays Matryoshka: Uncovering Your Many Selves Through Writing Personal Essays and Questions for Reflection is intended to share her personal experience essays in a way that encourages others to write from their experiences.
After reading her collection and asking Joan’s permission to reprint one of her essays for Writing It Real members, I emailed her questions I hoped she’d answer for writers of personal experience. Here are her words on writing from personal experience:
Over what span of years did you write the essays in this collection?
Half of the essays are new, written in the last three years. Five were published in the 80s-early 90s. Four are spin offs from material in the memoir I wrote from 2007-2011 (Fatal If Swallowed).
How did you use them in your own work with other writers before publication?
While I don’t share the actual essays with writers in my groups until each is originally published, I always refer to the creative process that guides me. That includes keeping a SEED LIST of ideas. This can be anything from one word, to one paragraph, a theme, issue, newspaper clipping – anything that sparks something in me as having potential. I emphasize having trust that the idea will sprout in its time and take on a life of its own. For instance, something that’s been on my SEED LIST for decades finally became an essay recently with an ending that I could never have imagined. I had to “live” the ending before I could actually complete the story. Keeping open to recycling options is also encouraged. A previous essay could be tweaked and resubmitted. Or it could be reprinted as is somewhere. A theme or description can be extracted for a new essay. Continue reading
When someone asks (or you ask yourself) why you write, I bet that many of the motivations you think to cite are on this list: • to understand your experience, • because you have a story in your heart, • because you can’t keep yourself from writing, • because you hope at least one other person on the … Continue reading
Whatever our role in life, however well we perform in it, there is always the not knowing if we are doing it right, if what we are trying to accomplish will be accomplished. Sometimes that situation offers us a prompt we can use for writing. As a writing teacher, I spend many of the minutes … Continue reading
This book is a big one—in every way. In its 813 beautifully designed pages and over 450 gorgeous photos and images, a story unfolds not only of fine handpress printing but the man who printed works by many great 20th Century writers as well as prepared food for them and others in his own kitchens … Continue reading
As the Presidential candidates for nomination continue to gather followers with predictable phrases, and pundits attempt to predict who the will be the frontrunners, I am reminded of the importance of writing toward felt insight. We need to leave abstracting and sentimentality behind if we are to find insight and make deep connections with ourselves and others through our writing. … Continue reading
This week, Judy Reeves, author of the new book, Wild Women, Wild Voices, shares her thoughts on writing practice. Here article serves as a good review for all of us who are busy concentrating on revising and publishing and may have begun to overlook the idea of what a writing practice is and offers. She … Continue reading
As both an accomplished writer and a career librarian, Carol Smallwood knows a lot about what women ask when they wish to learn about the writing and publishing process. Over the years, I’ve received email invitations from Carol asking for contributions to anthologies whose subjects have rung true as extremely useful for women writers. I … Continue reading