Today is the first day of National Poetry Month 2021. I am posting an interview with James Sulzer, a remarkable writer, who spoke with me about writing two novels that not only celebrate two of history’s favorite and most influential … Continue reading →
When I received a review copy of Take Daily As Needed, Kathryn Trueblood’s “novel in stories” from University of New Mexico press, I dove right into reading it. A novel in stories sounded a lot like how I often advocate memoirists I work with approach their work—discrete personal essays that when collected move toward an … Continue reading →
The list is endless, of course, but here are some of my favorites. First, four more podcasts from the Writing It Real archives and then seven more resources I’ve learned about and very much enjoyed recently. My hope is that each of us can get a hit of the old-time lazy hazy days of summer … Continue reading →
Every month, two of my 30-minute interviews with writers air on KPTZ 91.9 FM. Over many years now, I have interviewed not only well-published poets, journalists, novelists, memoirists and other creative nonfiction writers, but those who are at the beginnings of their writing lives or have just had their work accepted by literary journals and … Continue reading →
This week I am posting links to 20 sites that I’ve been “reading around” online. It’s summer and supposed to be those slow, lazy days, but there is so much going on for so many of us, that we may long for some online literature to come to our rescue when we aren’t quite settled … Continue reading →
As I wrote last week, I feel lucky to have recently had journalist Amy Hewes on my KPTZ FM radio program, “In Conversation: Discussions on Writing and the Writing Life.”  Here’s the link to listen to our conversation. In it, Amy explains how she goes about writing her opinion pieces, and her explanation will help those … Continue reading →
I was lucky enough to have recently had journalist Amy Hewes on my KPTZ FM radio program, “In Conversation: Discussions on Writing and the Writing Life.”  Here’s the link to listen to our conversation. In it, Amy explains how she goes about writing her opinion pieces, and her explanation will help those of us interested in … Continue reading →
Writing It Real contributor Carol Smallwood is a poet with several volumes to her name, a retired career librarian who has produced books of value to those who direct and run libraries and educational programs, and she is the editor of writing books for new and experienced writers and teachers of writing. In 2018 she … Continue reading →
As I update an earlier book of mine, A Year in the Life: Journaling for Self-Discovery, I will be sharing some of my favorite writing exercises with you over the next few weeks. Here’s the first of several lessons I am enjoying revisiting: A Lesson From Morrie and Rilke Many of us have read Tuesdays … Continue reading →
Creative writing requires that we create experience through our words. We can’t just say a day was amazing, or it was depressing, or that a character felt ecstatic about something without our readers becoming disengaged. If we do that we have created distance between ourselves as writers and our material and, eventually, between the story … Continue reading →
I am so enjoying reading Patricia Hampl’s The Art of the Wasted Day. Early in the book, page 18, she records one of her many to-do lists. She says first that she admires Montaigne, know as the father of the personal essay, for his ability to be rather than strive. He didn’t think of himself … Continue reading →
[This article originally appeared online for the Eleven Stories online writing program.– Ed.] My mother called me after the royal wedding of Prince Harry and Meghan Markle to talk about the bride’s gown. The daughter of a ladies coats and suit designer, my mother grew up immersed in New York city’s fashion district. She called Markle’s … Continue reading →
Here’s the second part of the series I created for Kahini’s Eleven Stories program. I hope you enjoy the short stories as you follow along on the included documents as I read. And, of course, I hope you enjoy my discussions of these kinds of endings: twists, surprises and morals, oh my!
Here is a video I prepared for a program online called Eleven Stories. I hope you enjoy my talk (with documents in there so you can follow along as I read and lecture). I will post Endings Part II next week. I’d love to hear from you about how this information helps and/or what questions … Continue reading →
I’ve made a short video for a program called 11 Stories that has “aired” for the people in that program. I am sharing it with Writing It Real members this week. In the video, I give a lesson on the third-person omniscient point of view in writing. I think those of you writing flash nonfiction or fiction … Continue reading →
Who among us wouldn?t envy the stamp of approval Vicki Horton?s personal essay ?Fishing with My Father? received from Writer?s Digest magazine in 2016? In answer to some of my questions about this writing and her writing life, Vicki responded: As you know writing is done mostly in isolation. I am my worst critic and … Continue reading →
[This article appeared in slightly different form in 2014 — ed.] As writers, our ears are tuned for measuring the quality of the words we hear around us. Sometimes, our ears catch speech we think is pure poetry or could be if read that way. We find that with a little rearranging these words express more humor, more … Continue reading →
In The Night Child, Nora Brown, descends into the kind of fragmentation that results when traumatic events have been repressed, her world becomes anxious and dark. In Anna Quinn’s skillful hands, both the world inside of Nora (who is no longer able to repress terrifying memories) and the world of loving people in her adult … Continue reading →
Many say that the hardest part of writing is moving from daily activities to being able to create work that transcends the daily. There are ways, though, to launch new writing that unexpectedly gets you to your deepest material while allowing you to make the shift easily. What follows is an exercise that is meant … Continue reading →
A few years ago, I had the pleasure of interviewing memoirist and novelist Pam Houston. At the time of the interview, her book, Contents May Have Shifted, was Port Townsend?s Community Read. I did the taping on behalf of our local library. In this podcast, Pam talks about her writing and, in particular, the writing … Continue reading →
For several years now, I have been interviewing writers, editors, writing program directors and publishers for ?In Conversation: Discussions on Writing and the Writing Life,? my regular program on KPTZ FM radio. At Writing It Real, we archive the programs, after they have aired, to maintain permanent links to all of the interviews. Over the … Continue reading →
The word epistolary comes from the Greek epistol?, which means “letter.” Writers use the letter form in writing personal essays, poems, creative nonfiction and fiction because the form provides a ready-made container to hold an exploration of events and experiences. Writing in the letter form quickly builds intimacy with readers because a letter is addressed to someone … Continue reading →
I have been an eager reader of flash stories by Jim Heynen for years. I’ve read The Man Who Kept Cigars Under His Cap, One-Room School House: Stories About the Boys, The Boy’s House: New and Selected Stories as well as his newest collection Ordinary Sins: Stories. You can visit this web page to view … Continue reading →
I am an avid fan of Jane Friedman’s blog on writing and publishing. She is informative and up-to-date, presenting her expertise with scope and clarity. This week, I read her interview with screenwriter turned novelist, Nina R. Sadowsky. I was impressed with the author’s words on how a background in screenwriting informed her novel writing. … Continue reading →
In writing, we only feel included as readers when our senses are involved. As we read with our senses involved, we learn more about ourselves and others by encountering the way the others record surroundings through their senses. As writers, we have a fuller picture when we allow our characters and ourselves as speakers to … Continue reading →
I am pleased to share long-time Writing It Real member Mary Ann Payne?s writing in response to the writing exercise I shared last week. Grave Mattersby Mary Ann Payne It?s time to bury the piano. Chop it up in tiny pieces and put it in a deep hole in the backyard next to the cement … Continue reading →
In 2005, I posted an article with excerpts from Riding in Cars with Boys by Beverly Donofrio’s and A Soldier’s Daughter Never Cries by Kaylie Jones along with exercises based on their writing. I am reposting the following short excerpts along with the ideas I had aimed at helping you launch new writing of your … Continue reading →
This week, I have made a video for Writing It Real’s Weekly Article. In it, I share a passage from Canadian author Miriam Toews’ novel All My Puny Sorrows in which a talented 15-year-old piano player exercises her genius against the unwelcome authoritarianism of the Mennonite elders, who “willy nilly” as the girl’s mother says, … Continue reading →
Often, we feel we can’t start writing because we are not inspired. Or we feel that we have become “flat” as writers when we look at what we have written. Here are 10 writing prompts inspired by the opening lines … Continue reading →
Joan Leof’s collection of essays Matryoshka: Uncovering Your Many Selves Through Writing Personal Essays and Questions for Reflection is intended to share her personal experience essays in a way that encourages others to write from their experiences. After reading her … Continue reading →
When someone asks (or you ask yourself) why you write, I bet that many of the motivations you think to cite are on this list: • to understand your experience, • because you have a story in your heart, • because you can’t keep yourself from writing, • because you hope at least one other person on the … Continue reading →
 Deborah Berger asked women to write letters about what they never told their mothers.  Ultimately, she edited a selection of the contributions, along with profiles of their authors, into Dear Mom, Women’s Letters of Love, Loss and Longing. In her introduction to the work, she writes, “We are always linked to our mothers: both to … Continue reading →
When Marlene Samuels found a publisher for her deceased mother’s World War II memoir, The Seamstress: A Memoir of Survival, her editor at Penguin-Berkeley had two conditions. She would have to ensure the accuracy of all the book’s facts (the names of every town and city in Eastern Europe during the early 1900’s up to … Continue reading →
Jody Gentian Bower’s new book, Jane Eyre’s Sisters: How Women Live and Write the Heroine’s Story, is sure to change some minds about the path of women’s literature. I am pleased to post the following interview with Jody. I know readers will find both her thinking and her commitment to the process of creating her … Continue reading →
Flying home from Scandinavia in late August, a little uncomfortable in the cramped airline seat, I was remembering stretching my legs on a trip I’d made to Norway years before. That time, I accompanied my daughter to a linguistics conference. She was still nursing her second baby, and she wanted to take him with her … Continue reading →
I was reading a magazine article recently in which authors wrote about pivotal books they’ve read. What book would I name, I wondered. Immediately, I saw myself at my fourth grade desk in the 1950’s at Franklin Elementary School in Union Township, New Jersey. I am unwrapping a book I ordered from the Scholastic Book … Continue reading →
Last week we posted Part II of my interview with Tarn Wilson about her memoir The Slow Farm. We talked about different ways of bringing back memories and how to write from a child’s viewpoint as an adult. This week, she shares the way she approaches writing about family members consciously and compassionately way, provides … Continue reading →
This week I am posting poems by three more poets whose work I have been following. Each has offered words about the creation of the particular poem included. And, as before, you’ll find writing ideas from me based on each of the poems. Let these poems live inside of you for a bit after reading … Continue reading →
Three accomplished writers have as editors acquired a collection of essays in The Strangest of Theatres: Poets Writing Across Borders in which poets explore the way their journeys to foreign lands helped them add to literature’s great conversation. Susan Rich, one editor of the three, whose newest poetry collection Cloud Pharmacy is just out from … Continue reading →
When you read the following excerpts from Rhonda Wiley-Jones’ memoir, At Home in the World: Travel Stories of Growing Up and Growing Away, you’ll likely remember incidents from your own youth when you learned important things about yourself, perceptions that allowed you to see yourself in new ways. I’ve included a writing exercise to use … Continue reading →
As writers, we are frequently the ones asked to write eulogies for friends and family members. Even if we are not asked, we may feel moved to write eulogies to honor those we loved and then to share our writing with a literary audience. Reading author David Reich’s eulogy for his father and considering the … Continue reading →
Applying her method of reading as a writer reads to Pam Houston’s Contents May Have Shifted, Judith Kitchen asks, “So is this memoir, masked as novel? Or novel, masked as memoir? That’s one of the first questions that a reader of this book asks. “What does it matter?” you might venture.   Here is our guest author’s explanation. Reading … Continue reading →
For our community read this past March 2013, the librarians in Port Townsend, where I live, chose Pam Houston’s novel Contents May Have Shifted, a story, they felt to be about love and freedom in middle age, something dear to the hearts of many in this community. At the top of the month the library … Continue reading →
Barbara McNally’s memoir, Unbridled: A Memoir, is, among other delights, a moving and often often funny travel story. Her search to understand her beliefs and live an authentic life instead of keeping her personal desires (which often conflicted with her fundamentalist upbringing) hidden begins in Ireland. Early in her trip, she meets a Wiccan named … Continue reading →
Former romance writer Thelma Zirkelback has two books out now (and a blog) on the subject of widowhood, one an anthology she co-edited of writings by women who have coped with their new life situation (On Our Own: Widowhood for Smarties) and the other a memoir about her interfaith marriage and and the loss of … Continue reading →
Once a month, we’ll post selections from an author’s work for the Writing It Real community to contemplate, consider and remark upon as writers. I’ll follow each month’s excerpt with questions to spark comments from Writing It Real readers. We’ll all grow as a result of considering the associations, thoughts, understandings and arguments that arise. … Continue reading →
On a recent teaching trip to Southern, CA, I visited with my college friend Cynthia. Among the many things we talked about was her oldest son’s new self-published book, The Top 10 Jewish… . She handed me a copy and from the first words of the introduction, I knew I wanted to learn more about … Continue reading →