Listening to How a Poem Sounds Helps You Write Both Poems and Prose — Meaning is in the Sounds!

[The following article in honor of National Poetry Month appeared in slightly different form in March of 2003.] John Keats created the term “negative capability,” the idea that a poem holds within it one thing as well as its opposite. For example, when we eulogize someone’s death, we also celebrate their life. When we ache … Continue reading

Flash! It’s a Great Form to Practice!

What is flash writing and why do authors like to write flash pieces? It’s quicker to write than a novel or memoir. It’s a challenge to see how much you can say with a short word limit, up 500 to 1500 or under 300 for microfiction (6 words, 50 words, 101 words, 150 words, 250 … Continue reading

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Staying in a Committed Relationship With Your Writing

According to Webster’s II New Riverside University Dictionary, commitment means “the state of being bound emotionally or intellectually to an ideal or course of action.” Emotionally or intellectually are good words for the writer to fuse. To keep on writing requires both an emotional and cognitive desire. A writer feels pleased and almost propelled to … Continue reading

Writing Toward a Clearer, More Centered Self Involves Poetry But Don’t Be Afraid!

Writing poetry, no matter what genre you usually work in, is truly an experience of re-creating a self. In writing poems from experience and from meditative and reflective moments, you become the maker of something that builds increased intimacy with your truest self. From this intimacy, you grow by creating a self that is more … Continue reading

Author Magazine Editor Bill Kenower Interviews Sheila Bender on Creativity and Writing

In this video, I talk for ten minutes with Bill Kenower about my beginnings as a writer and what I know now about the craft and about the value of a life path in writing. Bill asked me some intriguing questions, which I am happy to have answered. I hope you feel inspired to contemplate your … Continue reading

The Past is Always in the Present, A New Year’s Greeting

About the size of my palm, the orange glass turtle with stout yellow feet has been with me since 1972. We started out in Matawan, New Jersey, where my 7th-grade class presented him to me as a goodbye gift–I was moving to the West Coast with my husband, a transferring medical student. The turtle was … Continue reading

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The Light Had Been Shining

When I was in third grade, my teacher asked me to write a Chanukah play to be presented along with a Christmas play for the kids in my class. I am not sure how she identified me as a writer. Perhaps we wrote stories for class and she liked mine. How did I even know … Continue reading

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Moving an Essay Toward Completion — Pam Robinson’s “Table of Plenty”

Pam Robinson’s entry into the fall 2011 Writing It Real contest is an essay about her memories of her mother’s cooking and life on a farm. As I spend time harvesting onions, potatoes, tomatoes, cucumbers, various beans, Asian pears and soon apples and second crop radishes from my own garden, I resonate with the harvest … Continue reading

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On Labor Day: What Writers Might Celebrate About Their Vocation

The first Labor Day was celebrated by some on September 5, 1882, when Knights of Labor leader Peter J. McGuire requested that the first Monday in September be a day of rest for American workers. A parade in New York City’s Union Square honored the working people of America. Thousands took the day off to … Continue reading

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To Love the World and Let the World Love You: August Advice for Writing Poetry

August is the Gregorian calendar month named after the Roman Augustus Caesar, the man responsible for spreading the Roman Empire over the earth. He wrote about his great accomplishments, writings some think of as the typical age-old boastings of a politician. However, others wrote after his death that upon innumerable occasions he donated money to … Continue reading

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Stay in the Physical World: How Using Sensory Detail Builds the Inner Story

Creative writing requires that we create experience through our words. We can’t just say a day was amazing, or it was depressing, or that a character felt ecstatic about something without our readers becoming disengaged. If we do that we have created distance between ourselves as writers and our material and, eventually, between the story … Continue reading

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Patricia Hampl, My To-do List and Fiddler on the Roof

I am so enjoying reading Patricia Hampl’s The Art of the Wasted Day. Early in the book, page 18, she records one of her many to-do lists. She says first that she admires Montaigne, know as the father of the personal essay, for his ability to be rather than strive. He didn’t think of himself … Continue reading

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It’s Not that You Make Things Up — You Notice Things, Patricia Hampl in “Timelessness”

It’s summer, oh, those lazy days. When was the last time you had one of those lazy days? If you are lucky, there were one or more of them and not too long ago. But with the political turmoil in our country, the social networking scene, most of us working and/or volunteering, family needs, home … Continue reading

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To Follow Your Words, Not Your Keys, Home

Years ago, a poet friend of mine, Jim Mitsui, ended a poem with an image of people “following their keys home.” That image has lingered with me as a lesson about what the writing life saves us from, which is the dullness of always expecting the expected, and what it requires of us, which is … Continue reading

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Style Is the Wardrobe, Hairdo and Makeup a Storyteller’s Voice Wears

[This article originally appeared online for the Eleven Stories online writing program.– Ed.] My mother called me after the royal wedding of Prince Harry and Meghan Markle to talk about the bride’s gown. The daughter of a ladies coats and suit designer, my mother grew up immersed in New York city’s fashion district. She called Markle’s … Continue reading

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Endings Part II–Twists, Surprises, and Morals

Here’s the second part of the series I created for Kahini’s Eleven Stories program. I hope you enjoy the short stories as you follow along on the included documents as I read. And, of course, I hope you enjoy my discussions of these kinds of endings: twists, surprises and morals, oh my!

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An Approach to Writing Flash Nonfiction

Flash prose, sometimes called flash literature, is creative writing between 500 and 1500 words. This term includes further subgenres prose poetry, short essays and vignettes. Like the longer essay, or something now called short memoir, the flash personal essay evokes experience and arrives at discovery through the writer’s telling. Because it is short, it maintains a firm focus … Continue reading

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Sheila Bender Offers Tools for Writers on Breaking Their Silence

Earlier this month, I spoke with Linda Joy Myers of the International Association of Memoir Writers as a guest on her podcast series Breaking the Silence (the player link for you is below). I spoke about tools for getting to your subject when you feel unable to address your material. That happens when you are … Continue reading

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More on How to Write the How-to Essay (and Why)

I’ve been teaching the how-to essay again and reading models. I love how the how-to format offers the personal essayist a structure that inspires poignancy, honesty, and humor. Here is an excerpt from my book Writing and Sharing Personal Essays. And for after you’ve read about this style essay and the sample essay in the … Continue reading

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Omniscient Narrator–Have fun with the all-seeing!

I’ve made a short video for a program called 11 Stories that has “aired” for the people in that program. I am sharing it with Writing It Real members this week. In the video, I give a lesson on the third-person omniscient point of view in writing.  I think those of you writing flash nonfiction or fiction … Continue reading

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