This is a revised and updated article based on one from 2002 when I first read “Learning to Drive: A Year of Unexpected Lessons” by Katha Pollitt, published in The New Yorker magazine. I hope you’ll read the essay and go on to read my discussion of it, which includes an excerpt of review of the film (now … Continue reading
The word epistolary comes from the Greek epistol?, which means “letter.” Writers use the letter form in writing personal essays, poems, creative nonfiction and fiction because the form provides a ready-made container to hold an exploration of events and experiences. Writing in the letter form quickly builds intimacy with readers because a letter is addressed to someone … Continue reading
For this video lesson, I have selected three passages from a memoir I love and admire, Tarn Wilson’s The Slow Farm. I discuss them as a lesson on using details and sensory information to evoke the point-of-view of a memoir’s protagonist–the writer’s. Here Tarn is using her point-of-view as young a child. We learn at … Continue reading
It may seem hard to imagine how to write a life in short pieces rather than with a more traditional narrative arc, but it works. Here are excerpts from memoirs-made-of-pieces that I like very much: Excerpts from Abigail Thomas’ What Comes Next and How to Like It. Excerpt from Kim Stafford’s 100 Tricks Any Boy Can Do: … Continue reading
Part One To get a feel for short memoir, you might enjoy reading from Writers’ Digest magazine’s column called “5-Minute Memoir.” Here are links to a few of the columns: Writing from the Mat Hidden in Plain Sight The Beauty of Bones Here is a column I wrote for the October 2012 issue: Writing Grief … Continue reading
I have been an eager reader of flash stories by Jim Heynen for years. I’ve read The Man Who Kept Cigars Under His Cap, One-Room School House: Stories About the Boys, The Boy’s House: New and Selected Stories as well as his newest collection Ordinary Sins: Stories. You can visit this web page to view … Continue reading
I am an avid fan of Jane Friedman’s blog on writing and publishing. She is informative and up-to-date, presenting her expertise with scope and clarity. This week, I read her interview with screenwriter turned novelist, Nina R. Sadowsky. I was impressed with the author’s words on how a background in screenwriting informed her novel writing. … Continue reading
In writing, we only feel included as readers when our senses are involved. As we read with our senses involved, we learn more about ourselves and others by encountering the way the others record surroundings through their senses. As writers, we have a fuller picture when we allow our characters and ourselves as speakers to … Continue reading
I have been teaching a class called “Writing is a Friend with Extraordinary Benefits” for a couple of years now through Women on Writing. I have been extremely engaged in what my students write and thrilled by the evidence that by writing from certain models the writers have reaffirmed their belief in the value of writing. After … Continue reading
This time of year, we are often flooded with memories of our childhoods, especially of winter holiday times. Some of the memories may be of difficulties and some may be of times filled with excitement and joy. Happy or sad, peaceful or filled with anxiety, these memories can lead to vivid writing. In drafting writing … Continue reading
Joan Leof’s collection of essays Matryoshka: Uncovering Your Many Selves Through Writing Personal Essays and Questions for Reflection is intended to share her personal experience essays in a way that encourages others to write from their experiences.
After reading her collection and asking Joan’s permission to reprint one of her essays for Writing It Real members, I emailed her questions I hoped she’d answer for writers of personal experience. Here are her words on writing from personal experience:
Over what span of years did you write the essays in this collection?
Half of the essays are new, written in the last three years. Five were published in the 80s-early 90s. Four are spin offs from material in the memoir I wrote from 2007-2011 (Fatal If Swallowed).
How did you use them in your own work with other writers before publication?
While I don’t share the actual essays with writers in my groups until each is originally published, I always refer to the creative process that guides me. That includes keeping a SEED LIST of ideas. This can be anything from one word, to one paragraph, a theme, issue, newspaper clipping – anything that sparks something in me as having potential. I emphasize having trust that the idea will sprout in its time and take on a life of its own. For instance, something that’s been on my SEED LIST for decades finally became an essay recently with an ending that I could never have imagined. I had to “live” the ending before I could actually complete the story. Keeping open to recycling options is also encouraged. A previous essay could be tweaked and resubmitted. Or it could be reprinted as is somewhere. A theme or description can be extracted for a new essay. Continue reading
When someone asks (or you ask yourself) why you write, I bet that many of the motivations you think to cite are on this list: • to understand your experience, • because you have a story in your heart, • because you can’t keep yourself from writing, • because you hope at least one other person on the … Continue reading
“If I’d only known what was in this book forty years ago, how much more money would I have made and how fewer problems would I have encountered?” Karen wonders. Isn’t that true for all of us in our lives—if we knew what we know now we could have done better at what mattered to … Continue reading
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Robert Epstein has invested years in conceiving and writing books, among them a series of impressive haiku anthologies. This National Poetry Month, I am delighted to post an interview with him that gets to the heart of how haiku connects us to the sacred and demonstrates what we come to poetry for — to understand and to share … Continue reading
As writers, our ears are tuned for measuring the quality of the words we hear around us. Sometimes, our ears catch speech we think is pure poetry or could be if read that way. We find that with a little rearranging these words express more humor, more awe, more despair, or more of the irony and quirkiness of … Continue reading
…reason works better when emotions are present… –Rollo May, The Courage to Create There are times in your life when you desire to persuade others to take action or change their thinking. Letters to the editor and op-ed sections of newspapers and magazines contain writings from personal experience motivated in this way. Using personal experience in persuasive … Continue reading
As April and National Poetry Month come to an end, we finish our series of poets on their poems. Stan Rubin, Michael Spence, Nicole Persun and Nancy Levinson have each offered us a poem along with their thoughts about writing it. I follow their work with writing prompts based on their contributions. Stan Sanvel Rubin … Continue reading
This week I am posting poems by three more poets whose work I have been following. Each has offered words about the creation of the particular poem included. And, as before, you’ll find writing ideas from me based on each of the poems. Let these poems live inside of you for a bit after reading … Continue reading
We present three poets, offering one of their poems along with words about its creation. My writing ideas are each based on one of the poems and are useful whether you are writing poetry or prose.