Cider Mills and Burning Leaves: Writing Fall

For us in northern states, fall brings shorter daylight, leaves to rake and cider mills to visit where we sip fresh apple cider and eat sweet doughnuts. We fill a nip in the air. In warm climates, fall begins the season of visitors with full hotels, gift shops and restaurants. Around the country Thanksgiving dinners … Continue reading

Self-Portrait, Self-Portrait on the Wall, A Writing Exercise

Years ago one of my writing students wrote this line in class, “Ms. Failure paints her self-portrait, then hangs it on a wall in your world without asking permission.” He was speaking, he told us, of a time when he was “not facing the realities of the world.” His imagined self-portrait both set him straight … Continue reading

Writing of the Body: Metaphor Making is Food for the Soul

In his book Care of the Soul, Thomas Moore writes about a client he saw in counseling who was having problems with food and dreamt that her esophagus was made of plastic and wasn’t reaching her stomach. Moore says: The esophagus is an excellent image of one of the soul’s chief functions: to transfer material … Continue reading

What is Epistolary Writing? Why Write in Epistolary Form?

The word epistolary comes from the Greek epistol?, which means “letter.” Writers use the letter form in writing personal essays, poems, creative nonfiction and fiction because the form provides a ready-made container to hold an exploration of events and experiences. Writing in the letter form quickly builds intimacy with readers because a letter is addressed to someone … Continue reading

Hide & Seek: Using Childhood Games for Writing Prompts and Metaphors

In All I Really Need to Know I Learned in Kindergarten, Robert Fulghum writes about hiding in a pile of leaves in his front yard and not being found by the game’s seeker. He likens this hiding-too-well as a kid to a doctor who was dying of cancer but never told anybody because he didn’t … Continue reading

Writing as a Walker in the City (Or Anywhere)

Writers write. That’s the definition. And sometimes, we-who-write feel cranky and rebellious toward our job. That can lead to not writing and then to becoming upset with ourselves for not writing, for not being writers. For the prompts I share this week, I’ve taken inspiration from Walt Whitman’s “Crossing Brooklyn Ferry”  and from the poet … Continue reading

Reading Tarn Wilson’s The Slow Farm as a Writer Reads

For this video lesson, I have selected three passages from a memoir I love and admire, Tarn Wilson’s The Slow Farm.  I discuss them as a lesson on using details and sensory information to evoke the point-of-view of a memoir’s protagonist–the writer’s. Here Tarn is using her point-of-view as young a child. We learn at … Continue reading

Writing Poetry for a Clearer, More Centered Self

Writing poetry, no matter what genre you usually work in, is truly an experience of re-creating a self. In writing poems from experience and from meditative and reflective moments, we are the makers of something that helps us come to know ourselves and have increased intimacy with ourselves. From this intimacy comes the creation of … Continue reading

Continuing: A Short Study of Writing Memoir As an Accumulation of Short Pieces

It may seem hard to imagine how to write a life in short pieces rather than with a more traditional narrative arc, but it works. Here are excerpts from memoirs-made-of-pieces that I like very much: Excerpts from Abigail Thomas’ What Comes Next and How to Like It. Excerpt from Kim Stafford’s 100 Tricks Any Boy Can Do: … Continue reading

A Three-Part Study Guide to Writing Short Memoir

Part One To get a feel for short memoir, you might enjoy reading from Writers’ Digest magazine’s column called “5-Minute Memoir.”  Here are links to a few of the columns: Writing from the Mat Hidden in Plain Sight The Beauty of Bones Here is a column I wrote for the October 2012 issue: Writing Grief … Continue reading

Admiring and Learning from Flash Writing by Jim Heynen

I have been an eager reader of flash stories by Jim Heynen for years. I’ve read The Man Who Kept Cigars Under His Cap, One-Room School House: Stories About the Boys, The Boy’s House: New and Selected Stories as well as his newest collection Ordinary Sins: Stories. You can visit this web page to view … Continue reading

A Useful Review for Employing the Five Senses in Writing Scenes

In writing, we only feel included as readers when our senses are involved. As we read with our senses involved, we learn more about ourselves and others by encountering the way the others record surroundings through their senses. As writers, we have a fuller picture when we allow our characters and ourselves as speakers to … Continue reading

Finding the Motto Writer Within

We are motto (and affirmation) happy in our culture. We circulate phrases from manufacturers and social service organizations from “Just do it” to “Just say no,” from “You deserve a break today” to “I brake for animals.” After I studied creative writing in graduate school and was publishing poetry, I was just starting to use … Continue reading

Burying the Dutch Oven: A Writing Exercise for Discovery

A writing colleague of mine once shared in an essay that when she angrily broke up with a beloved college boyfriend under duress because her father didn’t like him, she took the Dutch oven they used for cooking and buried it in the backyard before she left. The topic of the essay was finding him … Continue reading

Finding Starts in Personal Essay Writing: Part 3

Mining the Three Freewrites: Whether you have done these freewrites ( see Part 1 and Part 2)  in the course of one writing session or over several days, find out what the freewrites have to tell you about an essay you might write by combing through them and jotting down images and phrases that interest … Continue reading

Finding Starts in Personal Essay Writing: Part 2

[The following article appeared first in “The Heart and Craft and of Life Writing.”] Last week’s article included a freewrite to get you going toward writing on a topic that surprises you or allows you to get into a piece of writing in a way that is new to you. If you haven’t done freewrite … Continue reading

Acknowledging the Value of Your Writing, Part 4

Creating Self-Understanding Despite Fears of Revealing Your Own Shortcomings and True Experience Before we see what writers have said on the issue of fear about revealing oneself through writing, try this exercise: Select four or so pieces of your writing. Look for nouns that you used more than you knew you did. Circle these words … Continue reading

Acknowledging the Value of Your Writing Part 3 of 4

Healing Through the Dark Emotions From journal writing to writing finished plays, memoir, poems and fiction, writers evoke and examine encounters with the dark emotions incited by misfortune, abuse, divorce, severe lack of confidence, fear of difficult and horrifying situations in our world, as well as the loss of a loved one or of a … Continue reading

Acknowledging the Value of Your Writing: Exercises for Week One and Two of Four

I have been teaching a class called “Writing is a Friend with Extraordinary Benefits” for a couple of years now through Women on Writing. I have been extremely engaged in what my students write and thrilled by the evidence that by writing from certain models the writers have reaffirmed their belief in the value of writing. After … Continue reading

Writing About Painful Topics

My friend, the essayist Brenda Miller, wrote the introduction to my memoir A New Theology: Turning to Poetry in a Time of Grief. “I understood then,” she wrote, “that grief can be a channel in which you swim alone, where you can also find your brethren as they flicker along beside you, their bodies gliding … Continue reading