Our contest judge Holly Hughes wrote these words in choosing Laurie McConnachie’s essay as one of our three winners: This is a deeply moving account of a daughter who lost her mother to a brain tumor when she was in her late 20s—and how she learns to move through grief and open her heart to … Continue reading
I am pleased to share another essay by a Writing It Real member. “Beginning Again with Tree Spirits” illustrates the diverse topics our members write about. Reading Katlaina’s essay will definitely change your relationship to the trees and forests in your towns and counties as well as inspire courage to write about topics you fear … Continue reading
As Black History Month ends and we have learned more about black religious leaders, scientists, politicians, professors, film directors, sports figures, journalists, poets and authors, among many other professions, those of other ethnicities have had an opportunity to reflect on how learning of the strife of an oppressed group changed the trajectory of their own … Continue reading
Writing It Real contributor Carol Smallwood is a poet with several volumes to her name, a retired career librarian who has produced books of value to those who direct and run libraries and educational programs, and she is the editor of writing books for new and experienced writers and teachers of writing. In 2018 she … Continue reading
It’s time for some post-New Year’s inspiration so I am reposting a slightly updated article that is full of quotes to inspire and approaches to creating new material from that inspiration. Thirteen years ago, my grandson Toby turned three. All of his grandparents attended his party in Seattle. The day after, a work team was … Continue reading
About the size of my palm, the orange glass turtle with stout yellow feet has been with me since 1972. We started out in Matawan, New Jersey, where my 7th-grade class presented him to me as a goodbye gift–I was moving to the West Coast with my husband, a transferring medical student. The turtle was … Continue reading
I haven’t posted in the Writing It Real category of “Writing Makes a Difference” in a while now as I’ve concentrated on writing exercises to keep you inspired. This week, though, I am returning to that category to share Susan Smith’s account of having a heart attack. She wrote this piece because little is discussed … Continue reading
Pam Robinson’s entry into the fall 2011 Writing It Real contest is an essay about her memories of her mother’s cooking and life on a farm. As I spend time harvesting onions, potatoes, tomatoes, cucumbers, various beans, Asian pears and soon apples and second crop radishes from my own garden, I resonate with the harvest … Continue reading
Flash prose, sometimes called flash literature, is creative writing between 500 and 1500 words. This term includes further subgenres prose poetry, short essays and vignettes. Like the longer essay, or something now called short memoir, the flash personal essay evokes experience and arrives at discovery through the writer’s telling. Because it is short, it maintains a firm focus … Continue reading
I’ve been teaching the how-to essay again and reading models. I love how the how-to format offers the personal essayist a structure that inspires poignancy, honesty, and humor. Here is an excerpt from my book Writing and Sharing Personal Essays. And for after you’ve read about this style essay and the sample essay in the … Continue reading
Our contest judge, Kelli Agodon, wrote this of her first choice piece in the fall/winter 2018 writing contest: Judith Barker Kvinsland’s essay, “Disturbing the Calm,” explores how sometimes, despite the ease of our lives, we need to take a risk. It is a thoughtful exploration of family, responsibility, and location, where the author learns something … Continue reading
The flash sequence uses poetic leaps of association for examining the impact of difficult-to-articulate circumstances. Sometimes it is accomplished in journal entries, other times with meditations about place, or people or objects. Sometimes it is composed of collections of scenes. Whatever the container of the sequence, the form is undoubtedly a psychological exploration, often of … Continue reading
Many say that the hardest part of writing is moving from daily activities to being able to create work that transcends the daily. There are ways, though, to launch new writing that unexpectedly gets you to your deepest material while allowing you to make the shift easily. What follows is an exercise that is meant … Continue reading
For several years now, I have been interviewing writers, editors, writing program directors and publishers for ?In Conversation: Discussions on Writing and the Writing Life,? my regular program on KPTZ FM radio. At Writing It Real, we archive the programs, after they have aired, to maintain permanent links to all of the interviews. Over the … Continue reading
This is a revised and updated article based on one from 2002 when I first read “Learning to Drive: A Year of Unexpected Lessons” by Katha Pollitt, published in The New Yorker magazine. I hope you’ll read the essay and go on to read my discussion of it, which includes an excerpt of review of the film (now … Continue reading
For us in northern states, fall brings shorter daylight, leaves to rake and cider mills to visit where we sip fresh apple cider and eat sweet doughnuts. We fill a nip in the air. In warm climates, fall begins the season of visitors with full hotels, gift shops and restaurants. Around the country Thanksgiving dinners … Continue reading
The word epistolary comes from the Greek epistol?, which means “letter.” Writers use the letter form in writing personal essays, poems, creative nonfiction and fiction because the form provides a ready-made container to hold an exploration of events and experiences. Writing in the letter form quickly builds intimacy with readers because a letter is addressed to someone … Continue reading
There are times in a person’s life when everything is tinted gray and the future looks too dark to step into. Then in one single shift of the universe, something happens—we turn left, instead of right; we answer the phone, smile at a stranger, or meet an old lover. Something moves. And the light reappears. … Continue reading
It may seem hard to imagine how to write a life in short pieces rather than with a more traditional narrative arc, but it works. Here are excerpts from memoirs-made-of-pieces that I like very much: Excerpts from Abigail Thomas’ What Comes Next and How to Like It. Excerpt from Kim Stafford’s 100 Tricks Any Boy Can Do: … Continue reading
I have been an eager reader of flash stories by Jim Heynen for years. I’ve read The Man Who Kept Cigars Under His Cap, One-Room School House: Stories About the Boys, The Boy’s House: New and Selected Stories as well as his newest collection Ordinary Sins: Stories. You can visit this web page to view … Continue reading