Existential Threat, an Article by Dahr Jamail

Writers write. Writers write to seek and tell truths, whether that is in poems, essays, memoir, fiction or articles. As writers, we must raise our voices in dark times, even when we think few are listening. I recently interviewed journalist Dahr Jamail for my KPTZ FM radio program (the podcast will be entered into the … Continue reading

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What is Epistolary Writing? Why Write in Epistolary Form?

The word epistolary comes from the Greek epistol?, which means “letter.” Writers use the letter form in writing personal essays, poems, creative nonfiction and fiction because the form provides a ready-made container to hold an exploration of events and experiences. Writing in the letter form quickly builds intimacy with readers because a letter is addressed to someone … Continue reading

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 On Finding Deep Power

What have writers shared about unleashing one’s best and most insightful creative work? G. Lynn Nelson, a professor of English at Arizona State University believes we must undo some of what we have been taught about language and use language in our journals as it was once used-to evoke mystery. In Writing and Being: Taking … Continue reading

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One More Waltz, An Essay by Nancy Lamb

There are times in a person’s life when everything is tinted gray and the future looks too dark to step into. Then in one single shift of the universe, something happens—we turn left, instead of right; we answer the phone, smile at a stranger, or meet an old lover. Something moves. And the light reappears. … Continue reading

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“Sanctuary,” an Essay by Nancy Lamb

All of us benefit from the memory of a place held dear. Such a memory keeps us breathing; such a memory calms our nerves; such a memory refreshes when life’s difficult times enervate us. Read Nancy Lamb’s well-drawn description of Cow Creek Canyon, a place she experienced as a child, and then try your hand … Continue reading

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Game Stories: A Prompt that Works

Two weeks ago, I posted an article with writing ideas for getting started on new material and asked those who wanted to do so to send me accounts of the games they have played and enjoyed, especially in childhood. My thanks to Nancy Levinson, author of Moments of Dawn: A Poetic Memoir of Love & … Continue reading

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Stage and Screen Prompts to Help Your Writing Craft

Whether you have wanted to write a play or a screenplay or are involved in writing memoir, thinking like a playwright will help you tell a story well by writing in scenes, creating evolving characters (yourself and others in your memoir) and using plot that employs conflict and life obstacles. Here are screen writing/play writing … Continue reading

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Hide & Seek: Using Childhood Games for Writing Prompts and Metaphors

In All I Really Need to Know I Learned in Kindergarten, Robert Fulghum writes about hiding in a pile of leaves in his front yard and not being found by the game’s seeker. He likens this hiding-too-well as a kid to a doctor who was dying of cancer but never told anybody because he didn’t … Continue reading

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Writing as a Walker in the City (Or Anywhere)

Writers write. That’s the definition. And sometimes, we-who-write feel cranky and rebellious toward our job. That can lead to not writing and then to becoming upset with ourselves for not writing, for not being writers. For the prompts I share this week, I’ve taken inspiration from Walt Whitman’s “Crossing Brooklyn Ferry”  and from the poet … Continue reading

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A Way Into Discovering More Than You Knew You Had to Say

William Zinsser edited a book in 1988 called Spiritual Quests: The Art and Craft of Religious Writing. In his introduction to the book, Zinsser states “the act of writing is ultimately a sacrament for both writer and reader.” The act of writing sustains the writer in his or her quest. In writing, spiritual energy seems … Continue reading

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Reading Tarn Wilson’s The Slow Farm as a Writer Reads

For this video lesson, I have selected three passages from a memoir I love and admire, Tarn Wilson’s The Slow Farm.  I discuss them as a lesson on using details and sensory information to evoke the point-of-view of a memoir’s protagonist–the writer’s. Here Tarn is using her point-of-view as young a child. We learn at … Continue reading

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Writing Poetry for a Clearer, More Centered Self

Writing poetry, no matter what genre you usually work in, is truly an experience of re-creating a self. In writing poems from experience and from meditative and reflective moments, we are the makers of something that helps us come to know ourselves and have increased intimacy with ourselves. From this intimacy comes the creation of … Continue reading

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Continuing: A Short Study of Writing Memoir As an Accumulation of Short Pieces

It may seem hard to imagine how to write a life in short pieces rather than with a more traditional narrative arc, but it works. Here are excerpts from memoirs-made-of-pieces that I like very much: Excerpts from Abigail Thomas’ What Comes Next and How to Like It. Excerpt from Kim Stafford’s 100 Tricks Any Boy Can Do: … Continue reading

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A Three-Part Study Guide to Writing Short Memoir

Part One To get a feel for short memoir, you might enjoy reading from Writers’ Digest magazine’s column called “5-Minute Memoir.”  Here are links to a few of the columns: Writing from the Mat Hidden in Plain Sight The Beauty of Bones Here is a column I wrote for the October 2012 issue: Writing Grief … Continue reading

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Admiring and Learning from Flash Writing by Jim Heynen

I have been an eager reader of flash stories by Jim Heynen for years. I’ve read The Man Who Kept Cigars Under His Cap, One-Room School House: Stories About the Boys, The Boy’s House: New and Selected Stories as well as his newest collection Ordinary Sins: Stories. You can visit this web page to view … Continue reading

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Reading as a Writer Reads — Taking a Lesson from the Writing in Just Fall, a Novel

I am an avid fan of Jane Friedman’s blog on writing and publishing. She is informative and up-to-date, presenting her expertise with scope and clarity. This week, I read her interview with screenwriter turned novelist, Nina R. Sadowsky.  I was impressed with the author’s words on how a background in screenwriting informed her novel writing. … Continue reading

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Find the Motto Writer Within: Outcomes from the Writing Exercise

A couple of weeks ago, I posted an exercise I call “Find the Motto Writer Within.” Here are three writers’ outcomes from that exercise: The first is by Barbara Furniss, one of the writers I gathered to try out the exercises for A Year in the Life: Journaling for Self-Discovery. The second is by Dorothy Ross, … Continue reading

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